Larry’s List: Blizzard-Free Edition
Curl up with some eggnog and click on to find out why Americans can't make things (hint: business school), why Michelangelo wasn't such a loner, after all, and more.
Curl up with some eggnog and click on to find out why Americans can’t make things (hint: business school), why Michelangelo wasn’t such a loner, after all, and more.
On a regular basis, Truthdig brings you the news items and odds and ends that found their way to Larry Gross, director of the USC Annenberg School for Communication. A specialist in media and culture, art and communication, visual communication and media portrayals of minorities, Gross helped found the field of gay and lesbian studies.
Newer links are on top.
The Future of the Magazine
With ad sales falling, editors are going digital, employing online applications that can increase revenue. But it’s a tough fight against a free Internet.
Letters to Michelangelo Repaint His Loner Image When you picture Michelangelo, does the image in your mind resemble Moses? Ben-Hur? In other words, Charlton Heston?
Why Can’t Americans Make Things? Two Words: Business School One of the themes that came up while I was profiling White House manufacturing czar Ron Bloom earlier this fall was managerial talent.
Redactor Agonistes The annual survey of salaries and attitudes of those who work in publishing made its somberer-than-ever appearance last July in Publishers Weekly.
Calling on Leakers to Help Document Local Misdeeds It was a simple idea: Use the power and elusiveness of the Internet to publish secret documents that someone, somewhere thought should be made public. And dare the government, any government, to shut you down.
Wait, before you go…If you're reading this, you probably already know that non-profit, independent journalism is under threat worldwide. Independent news sites are overshadowed by larger heavily funded mainstream media that inundate us with hype and noise that barely scratch the surface. We believe that our readers deserve to know the full story. Truthdig writers bravely dig beneath the headlines to give you thought-provoking, investigative reporting and analysis that tells you what’s really happening and who’s rolling up their sleeves to do something about it.
Like you, we believe a well-informed public that doesn’t have blind faith in the status quo can help change the world. Your contribution of as little as $5 monthly or $35 annually will make you a groundbreaking member and lays the foundation of our work.
Support Truthdig
Arts & Culture
Visual investigations at the intersection of climate change and global migration.
Though diversity is a driving ethos of this year's event in Los Angeles, the art world is still deeply invested in sidelining people of color.
Artists who tell the truth are the mortal enemies of despots, who seek to distort the past, the present and the future.
Artists, activists and museum staff launched protests after learning that chemicals made by Warren Kanders’ company were used on migrants crossing the U.S.-Mexico border.
The tangible effects of political concerns, ranging from mass displacement to climate change, are unavoidable at the 58th Venice Biennale.
"Then They Came For Me," a traveling exhibit, reminds viewers how easily history can repeat itself.
There are currently no responses to this article.
Be the first to respond.