Dick Cheney Biopic ‘Vice’ Tops Golden Globe Nominations
NEW YORK — Adam McKay’s Dick Cheney biopic “Vice” staged an awards-season coup Thursday, landing a leading six nominations from the 76th annual Golden Globe Awards to narrowly edge more expected favorites like Bradley Cooper’s tear-jerking revival “A Star Is Born,” the interracial road-trip drama “Green Book” and the period romp “The Favourite.”
“Vice” topped all contenders in the nominations that were announced at the Beverly Hilton Hotel in Beverly Hills, California, including best picture, comedy and best actor nominations for Christian Bale’s nearly unrecognizable performance as the former vice president. It also earned nominations for Amy Adams’ Lynne Cheney, Sam Rockwell’s George W. Bush and for the screenplay and direction by McKay, the veteran comedy filmmaker who once skewered politicians as a “Saturday Night Live” writer.
For even the often-quirky selections of the Hollywood Foreign Press Association, a collection of 88 mostly lesser-known freelance film journalists, the strong support for “Vice” (which arrives in theaters on Dec. 25) was a surprise. Even its categorization of the film — a highly critical portrait of Cheney as a power-hungry, behind-the-scenes tyrant — as a comedy raised some eyebrows, as did Globes recent comedy selections “Get Out” and “The Martian.”
“It’s a movie that’s a lot like the times we live in. There’s part of it that’s absurdist and comedic and then there’s another part of it that’s darkly tragic and dramatic,” McKay said Thursday by phone from London. “But I do know I’m glad we’re in that category because we will take ‘Mary Poppins’ out. I’m not competitive with the other movies but I am competitive with ‘Mary Poppins.’ Dick Cheney is going for her.”
But it was far from a runaway win for “Vice” since the press association typically spreads its awards around. Oscar front-runners “A Star Is Born,” ″Green Book” and “The Favourite” trailed close behind with five nominations each.
On the television side, awards were even more widely dispersed among the likes of the spy thriller “The Americans,” Bill Hader’s hit-man comedy “Barry,” the Julia Roberts-led conspiracy thriller “Homecoming,” Chuck Lorre’s acting coach series “The Kominsky Method” and last year’s champ, “The Marvelous Mrs. Maisel.” Leading all small-screen nominees with four nods was “The Assassination of Gianni Versace: American Crime Story,” the FX anthology series about the Italian fashion designer’s murder.
For the first time, FX bested heavyweights like HBO, Netflix and Amazon with a network-best 10 nods, even though the exalted second season of its “Atlanta” received only a single nod for Donald Glover’s acting.
Curiously, the Hollywood Foreign Press doesn’t consider foreign-language films for best film, so Alfonso Cuaron’s acclaimed family drama “Roma” was left out of the Globes’ top category. “Roma,” which is expected to earn Netflix its first best picture nomination at the Oscars, was still nominated for best screenplay, best director and best foreign language film.
For the first time, the Globes nominated three films directed by African-American filmmakers for best picture, drama: Ryan Coogler’s superhero sensation “Black Panther,” Spike Lee’s urgent white nationalist drama “BlacKkKlansman” and Barry Jenkins’ lyrical James Baldwin adaption “If Beale Street Could Talk.” The other nominees are “A Star Is Born” and “Bohemian Rhapsody,” the Freddie Mercury biopic.
All earned nods in other categories, too, including Rami Malek’s prosthetic tooth-aided performance as Mercury and the leading turn by John David Washington in “BlacKkKlansman,” who said his father, Denzel, woke him up for the nominations announcement.
“I had flashbacks when I was watching the (NFL) draft when they never called my name,” said Washington, a former football player. “When I heard them say my name, it happened in slow motion.”
While Sam Elliott’s supporting performance in “A Star Is Born” was unexpectedly overlooked, the Warner Bros. hit (which elected to compete on the more hefty drama side of the Globes despite its many songs) earned the expected nods for Lady Gaga, Bradley Cooper (as both actor and director) and the song “Shallow.”
Up for best picture comedy alongside “Vice” are Yorgos Lanthimos’ wild palace power struggle “The Favourite,” Peter Farrelly’s divisive crowd-pleaser “Green Book,” the upcoming Disney sequel “Mary Poppins Returns” and the rom-com hit “Crazy Rich Asians.”
The Oscar path for both “Green Book” and “The Favourite” appeared to be solidified, with nods for all of their leads, some of whom are running in supporting categories: Viggo Mortensen and Mahershala Ali for “Green Book” and Olivia Colman, Rachel Weisz and Emma Stone for “The Favourite.”
While some critics have taken issue with “Green Book” for relying on outdated racial tropes, the uplifting drama’s once flagging Oscar campaign has lately received a boost with both better ticket sales and accruing awards-season accolades. Farrelly, best known for broader comedies with his brother, Bobby, like “Dumb and Dumber,” also received a best-director nod for his first dramatic film, edging out filmmakers like Lanthimos and Jenkins.
Nominees such as Constance Wu (“Crazy Rich Asians”), Regina King (“Beale Street”), Lin-Manuel Miranda (“Mary Poppins Returns”), Ali and Washington insured a diverse field of nominees. Three decades after last being included in the category for “Do the Right Thing,” Spike Lee was nominated for directing “BlacKkKlansman.” ″The first word that came to mind was ‘BOOM SHAKALAKA,’” Lee said in a statement.
But the Globes also failed to nominate any of the year’s acclaimed female filmmakers (among them Chloe Zhao, Tamara Jenkins, Marielle Heller) for best director, and none of the 10 best-picture nominees were helmed by a woman. At the previous Globes, presenter Natalie Portman pointedly introduced the “all-male” directing nominees.
Damien Chazelle’s Neil Armstrong biopic “First Man,” which has seen its awards hopes wane in recent weeks, failed to lift off, scoring neither a best-film nod, nor one for Ryan Gosling’s leading performance. (It did land nominations for Claire Foy and its score.) The morning was worse for Steve McQueen’s heist thriller “Widows,” which was shut out entirely.
Also left out was Ethan Hawke’s performance as an anguished pastor in “First Reformed” and Pawel Pawlikowski’s Polish stunner “Cold War,” his follow-up to the Oscar-winning “Ida.” (The nominees for best foreign language film alongside “Roma” were “Capernaum,” ″Girl,” ″Never Look Away” and “Shoplifters.”) Some of the TV snubs — “Atlanta,” ″This Is Us,” ″Better Call Saul” — were even more surprising.
But the Globes also handed out nominations to some up-and-comers, including Lucas Hedges (“Boy Erased”), Timothee Chalamet (“Beautiful Boy”) and Elsie Fisher, the 15-year-old star of the coming-of-age tale “Eighth Grade.” ″WHAT,” said Fisher on Twitter. When reached by phone Thursday morning and told she was trending, Fisher — whose character is a little-liked YouTuber — replied “Hell yeah!”
The press association honored one old favorite: Robert Redford, who received his 10th Globe nomination for what he has said may (or may not) be his final acting performance in “The Old Man & the Gun.” Redford was given the group’s Cecil B. DeMille achievement award in 1994.
Glenn Close likewise notched her 14th Globe nomination for her leading performance as a celebrated author in “The Wife.” Reached Thursday morning, Close said her voice was “gone” after two performances of the off-Broadway play “Mother of the Maid” the day before. But she hoped to celebrate.
“Maybe today it’ll be tequila,” said Close before thinking better of it. “I have a show tonight. And I’ll probably have to go back to sleep at some point today.”
In film and television, the nominations guaranteed the Globes will boast what it most craves for its famously frothy broadcast: stars. Among them: Julia Roberts (“Homecoming”), Amy Adams (“Sharp Objects”), Nicole Kidman (“Destroyer”), Hugh Grant (“A Very English Scandal”), Melissa McCarthy (“Can You Ever Forgive Me?”), Benedict Cumberbatch (“Patrick Melrose”), Emily Blunt (“Mary Poppins Returns”), Jim Carrey (“Kidding”) and Charlize Theron (“Tully”).
Though the major studios like Disney (“Black Panther,” ″Mary Poppins Returns,” ″Incredibles 2″), Warner Bros. (“A Star Is Born”) and Universal (“Green Book,” ″First Man”) are more in the thick of this year’s awards season than usual, indie outfits carried the day. Annapurna Pictures (“Vice,” ″Beale Street”) and Fox Searchlight (“The Favourite,” ″Can You Ever Forgive Me?) led with 10 nods apiece — especially welcome news for billionaire heiress Megan Ellison’s Annapurna, which struggled through upheaval and reported financial woes this fall.
Still, Disney could claim a kind of supremacy. Its soon-to-be-finalized acquisition of Fox would make its movie nominations tally 21 — a number that climbs higher still when you throw in Fox’s FX. The nod for its “Black Panther” also marked Marvel Studios’ first best-picture nomination at the Globes, a feat it’s hoping to repeat at the Academy Awards.
The ratings for last January’s broadcast, hosted by Seth Meyers and graced with an impassioned speech by Oprah Winfrey, dipped 5 percent with approximately 19 million viewers. As the first major awards show following the Harvey Weinstein revelations, the usually more frivolous ceremony had an atypical edge of seriousness. In a demonstration organized by the then-just-founded Time’s Up, women wore black on the red carpet.
Whether this year will return the Globes to their more lighthearted celebrations will rest partly with its unexpected pairing of Andy Samberg and “Killing Eve” star Sandra Oh, who’s also a nominee for best actress in a TV series drama. They were announced Wednesday as hosts of the Jan. 6 ceremony, to be broadcast live on NBC.Wait, before you go…
If you're reading this, you probably already know that non-profit, independent journalism is under threat worldwide. Independent news sites are overshadowed by larger heavily funded mainstream media that inundate us with hype and noise that barely scratch the surface. We believe that our readers deserve to know the full story. Truthdig writers bravely dig beneath the headlines to give you thought-provoking, investigative reporting and analysis that tells you what’s really happening and who’s rolling up their sleeves to do something about it.
Like you, we believe a well-informed public that doesn’t have blind faith in the status quo can help change the world. Your contribution of as little as $5 monthly or $35 annually will make you a groundbreaking member and lays the foundation of our work.Support Truthdig