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terms-of-endearment

Film Review

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Entering a James L. Brooks movie, I am always resolved not to be charmed out of my socks by the thing. But you know how it is—somewhere before the middle of “Terms of Endearment” or “Broadcast News” or “As Good as It Gets,” you get taken over by the film. James L. Brooks' movies are sort of like a warm bath—complete with a few rubber duckies—at the end of a long, hard day.

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