The live-action remake of the 1992 animated classic is condemned by critics including members of the Arab community. Many argue the original film wasn't culturally authentic itself.
Director Alejandro Jodorowsky creates a surrealism of the kind that came naturally to Federico Fellini and Seijun Suzuki.
The final article in the series offers some closely guarded data about audience gender breakdowns, and insights from filmmakers Mira Nair (shown left), Ava DuVernay (shown right), Nancy Meyers and Stacy Title.
Dorothy Arzner and Ida Lupino were two exceptions to the women who found it increasingly difficult to launch film projects in the 20th century. (This is the second installment of a five-part series.)
"Maggie’s Plan" marks Rebecca Miller's rowdy comedic debut, and it's so sharp about modern dating and mating that you could dice an onion with it. "Maggie’s Plan" marks Rebecca Miller's rowdy comedic debut, and it's so sharp about modern dating and mating that you could dice an onion with it.
The casting director, who died in 2011, discovered or jump-started the careers of many of today's biggest Hollywood names, and she was known for placing African-Americans in parts intended for white actors. Yet her own name is missing from many of her most famous projects.
The movie paints in overly broad strokes, but it captures many of the facts about the history-making track athlete. It also offers a fine perspective on the racial politics of the 1930s and the burgeoning civil rights movement of that day.
The documentary filmmaker pointed to one of Hollywood's persistent gender issues in a panel discussion at the New York Film Festival on Sunday, once again drawing attention to the vast gap between the number of female and male directors in the industry and dropping the word "apartheid" while he was at it.
On Wednesday, California Gov. Jerry Brown and Los Angeles Mayor Eric Garcetti were inching closer to resolution on two big economic goals for the state and city, respectively.
The new independent film "Love Is Strange" by director Ira Sachs is getting rave reviews.