Often living paycheck to paycheck, these workers are risking everything to no longer be subjected to unwanted sexual propositions.
Once the president's nominees are confirmed and the five-member EEOC swings from a Democratic majority to a Republican one, discrimination lawsuits face an uncertain future.
The Iraq War veteran nominated by Trump to the Equal Employment Opportunity Commission says his views have since changed.
The final article in the series offers some closely guarded data about audience gender breakdowns, and insights from filmmakers Mira Nair (shown left), Ava DuVernay (shown right), Nancy Meyers and Stacy Title.
The ’80s and ’90s brought welcome advances for female filmmakers. But would the bias that produced the term “chick flick” remain? (Shown: A screen shot from Mira Nair’s 1991 film “Mississippi Masala.”)
Those who emerged between 1966 and 1983 challenged the prevailing image of the central hero and marginal heroine by creating a "countercinema."
Dorothy Arzner and Ida Lupino were two exceptions to the women who found it increasingly difficult to launch film projects in the 20th century. (This is the second installment of a five-part series.)
Hollywood’s gender gap is most apparent with regard to female filmmakers, but their prospects weren’t always as bad as they are today. (Part 1 of our five-part series.)
She was the founding principal of the first Arabic-language public school in the United States, until a campaign of hate forced her out.