‘Parasite’ Is a Class-Conscious Climate Parable
Audiences tend to view apocalyptic stories as fantasy. Bong Joon-ho's landmark film makes the case that we're already living in a dystopia.
Audiences tend to view apocalyptic stories as fantasy. Bong Joon-ho's landmark film makes the case that we're already living in a dystopia.
This year's telecast showed signs of progress—now the Academy Awards producers need to get audiences to tune in again.
“It was too predictable, too white and too boring,” says founder of a website devoted to awards show news.
The South Korean movie becomes the first non-English language film to win the top prize in the Academy Awards' 92-year history.
Jessica Whyte's new book exposes how NGOs defanged human rights from any truly emancipatory potential.
The strong-jawed "Spartacus" actor who helped weaken Hollywood blacklist of suspected Communists is heralded as a maverick and patriarch.
They provided exuberant entertainment while displaying a pride in belonging to cultures that the Trump administration neglects or vilifies.
It's not just about food, says author Rebecca Lester, but shame and self-negation.
Would you rather be a patient or a consumer? Buying your way to even crackpot health gives the illusion of autonomy.
As the case for reparations gains momentum, Katherine Franke’s “Repair” reminds us of when they were almost made possible.
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