The latest film in the "Star Wars" universe is a crafty reimagining of the galactic multiverse, filled with strong characters and contemporary political themes.

For all its amateurishness, “The Room” is authentic, a heartfelt, if inarticulate, expression of a naive artist. “The Disaster Artist” is an artificial substitute.

Meryl Streep and Tom Hanks deliver smart, enjoyable entertainment in Steven Spielberg's Pentagon Papers potboiler.

As Winston Churchill, the character actor delivers one of his finest performances in a movie that falls short.

Luca Guadagnino’s latest film, “Call Me by Your Name,” is a lush, lyrical study of sexual confusion and awakening.

The epic film portrays an ambitious portrait of Americans struggling with race and class in the aftermath of World War II.

Outstanding performances and design elements are enough to make this entertaining effort by the movie star-director one to watch.

Two new fall films, “The Meyerowitz Stories” and “Professor Marston and the Wonder Women,” highlight how specific narratives are universally relatable.

“The Vietnam War” series by Ken Burns and Lynn Novick on PBS does not present, as its makers claim, a balanced view of the war.