Video: The Solace of a Blind Artist
In his mid-30s, British artist and teacher Sargy Mann went blind from cataracts in both eyes. Twenty-five years later his paintings sell to top collectors for upward of $80,000. He tells the BBC how he lives and paints.
In his mid-30s, British artist and teacher Sargy Mann went blind from cataracts in both eyes. Twenty-five years later his paintings sell to top collectors for upward of $80,000. He tells the BBC how he lives and paints.
“I had to sort of reinvent painting for myself,” Mann says in the video above. “It seems sort of more or less impossible, but if you’re just determined to keep going, you don’t need to give up. Because if your subject is your own experience, then as long as you’re having an experience, you’ve got a subject. And that has turned out to be true even in total blindness.”
— Posted by Alexander Reed Kelly.
Wait, before you go…If you're reading this, you probably already know that non-profit, independent journalism is under threat worldwide. Independent news sites are overshadowed by larger heavily funded mainstream media that inundate us with hype and noise that barely scratch the surface. We believe that our readers deserve to know the full story. Truthdig writers bravely dig beneath the headlines to give you thought-provoking, investigative reporting and analysis that tells you what’s really happening and who’s rolling up their sleeves to do something about it.
Like you, we believe a well-informed public that doesn’t have blind faith in the status quo can help change the world. Your contribution of as little as $5 monthly or $35 annually will make you a groundbreaking member and lays the foundation of our work.
Support Truthdig
Arts & Culture
Visual investigations at the intersection of climate change and global migration.
Though diversity is a driving ethos of this year's event in Los Angeles, the art world is still deeply invested in sidelining people of color.
Artists who tell the truth are the mortal enemies of despots, who seek to distort the past, the present and the future.
Artists, activists and museum staff launched protests after learning that chemicals made by Warren Kanders’ company were used on migrants crossing the U.S.-Mexico border.
The tangible effects of political concerns, ranging from mass displacement to climate change, are unavoidable at the 58th Venice Biennale.
"Then They Came For Me," a traveling exhibit, reminds viewers how easily history can repeat itself.
There are currently no responses to this article.
Be the first to respond.