‘The Scream’ to Scare Up $80M at Auction
It's one of the most widely recognized images in art, and now one of four versions of Edvard Munch's archetypal image of modern angst is going on the block at Sotheby's New York auction house with an expected selling price of $80 million or more.
It’s one of the most widely recognized images in art, and now one of four versions of Edvard Munch’s archetypal image of modern angst is going on the block at Sotheby’s New York auction house with an expected selling price of $80 million or more. –KA
WAIT, BEFORE YOU GO…BBC:
The 1895 work, which is going under the hammer in May, was created using pastels and is the only version still in private hands.
A Sotheby’s spokesperson has suggested the artwork’s price tag could exceed $80m (£50m).
Recognisable image Prior to the sale, the work will be displayed in London for the first time, before it is exhibited in New York.
The piece, which features a haunted figure in front of a red backdrop, is one of the most recognisable images in the world.
If you're reading this, you probably already know that non-profit, independent journalism is under threat worldwide. Independent news sites are overshadowed by larger heavily funded mainstream media that inundate us with hype and noise that barely scratch the surface. We believe that our readers deserve to know the full story. Truthdig writers bravely dig beneath the headlines to give you thought-provoking, investigative reporting and analysis that tells you what’s really happening and who’s rolling up their sleeves to do something about it.
Like you, we believe a well-informed public that doesn’t have blind faith in the status quo can help change the world. Your contribution of as little as $5 monthly or $35 annually will make you a groundbreaking member and lays the foundation of our work.
Arts & Culture
Visual investigations at the intersection of climate change and global migration.
Though diversity is a driving ethos of this year's event in Los Angeles, the art world is still deeply invested in sidelining people of color.
Artists who tell the truth are the mortal enemies of despots, who seek to distort the past, the present and the future.
Artists, activists and museum staff launched protests after learning that chemicals made by Warren Kanders’ company were used on migrants crossing the U.S.-Mexico border.
The tangible effects of political concerns, ranging from mass displacement to climate change, are unavoidable at the 58th Venice Biennale.
"Then They Came For Me," a traveling exhibit, reminds viewers how easily history can repeat itself.
There are currently no responses to this article.
Be the first to respond.