It’s That Time of Year Again
Hordes of artists, free-thinkers, nudists and stoners are about to descend on the Nevada desert to worship a neon statue. Burning Man is back, and the event map?a work of art in and of itself?is now available for viewing.
Hordes of artists, free-thinkers, nudists and stoners are about to descend on the Nevada desert to worship a neon statue. Burning Man is back, and the event map?a work of art in and of itself?is now available for viewing.
C|Net News:
WAIT, BEFORE YOU GO…For the thousands of people about to head off toward Black Rock City, Nev., the home of the annual Burning Man art festival, it won’t be necessary to wait until you get there to orient yourself. That’s because the official Burning Man map is up and viewable.
The map was created, as it has been for several years, by Oakland artist Lisa Hoffman. Her map designs, as well as her work on many other projects, including the Burning Man book “Drama in the Desert,” of which I [Daniel Terdiman] was an editor, have won her accolades far and wide.
This year’s map is a stunning and bright combination of acid- and Art Deco-fabulous, and represents the 2006 Burning Man theme, “Hope and Fear.”
If you're reading this, you probably already know that non-profit, independent journalism is under threat worldwide. Independent news sites are overshadowed by larger heavily funded mainstream media that inundate us with hype and noise that barely scratch the surface. We believe that our readers deserve to know the full story. Truthdig writers bravely dig beneath the headlines to give you thought-provoking, investigative reporting and analysis that tells you what’s really happening and who’s rolling up their sleeves to do something about it.
Like you, we believe a well-informed public that doesn’t have blind faith in the status quo can help change the world. Your contribution of as little as $5 monthly or $35 annually will make you a groundbreaking member and lays the foundation of our work.
Arts & Culture
Visual investigations at the intersection of climate change and global migration.
Though diversity is a driving ethos of this year's event in Los Angeles, the art world is still deeply invested in sidelining people of color.
Artists who tell the truth are the mortal enemies of despots, who seek to distort the past, the present and the future.
Artists, activists and museum staff launched protests after learning that chemicals made by Warren Kanders’ company were used on migrants crossing the U.S.-Mexico border.
The tangible effects of political concerns, ranging from mass displacement to climate change, are unavoidable at the 58th Venice Biennale.
"Then They Came For Me," a traveling exhibit, reminds viewers how easily history can repeat itself.
There are currently no responses to this article.
Be the first to respond.