Gore Vidal on The Academy Awards, Sexuality and Politics
In a Truthdig interview with Sheerly Avni, Gore Vidal weighs in on this year's Academy Awards competition, Ang Lee's "Brokeback Mountain," and Truman Capote's Proust complex.
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Film
Fifty years ago, the New Hollywood made one brave last stand before being TKO’ed by empty spectacle and endless sequels.
Audiences tend to view apocalyptic stories as fantasy. Bong Joon-ho's landmark film makes the case that we're already living in a dystopia.
This year's telecast showed signs of progress—now the Academy Awards producers need to get audiences to tune in again.
“It was too predictable, too white and too boring,” says founder of a website devoted to awards show news.
Another public debate has erupted on Twitter about the need for diversity in the entertainment industry—with the author as instigator.
Martin Scorsese's "The Irishman," Quentin Tarantino's "Once Upon a Time...in Hollywood" and Sam Mendes' "1917" each earn 10 nods apiece.
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