Popular culture not only trades in violence as entertainment, it also delivers violence to a society addicted to an endless barrage of sensations, the lure of instant gratification, and a pleasure principle steeped in graphic and extreme images of human suffering, mayhem, and torture. Violence is now represented without the need for either subtlety or critical examination. Relieved of the pedagogical necessity to instruct, violence is split from its moral significance, just as it becomes more plentiful and lurid in order to provide infuse the pleasure quotient with more shocks. Americans now live in “a culture of the immediate” which functions “as an escape from the past” and a view of the future as one of menace, insecurity, and potential violence. In an age of cruel precarity and uncertainty, the present becomes the only register of hope, politics, and survival. Americans now “look to the future with worry and suspicion and cling to the present with the anguish of those who are afraid of losing what they have,” all the while considering those deemed “other” as a threat to their security. Under such circumstances, trust and mutual respect disappear, democratic public spheres wither, and democracy becomes a cover for false promises and the swindle of fulfillment. Another consequence is the merging of pleasure and cruelty in the most barbarous spectacles of violence. One telling example of this can be found in those films in which the use of waterboarding has become a prime stable of torture. While the Obama administration banned waterboarding as an interrogation method in January 2009, it appears to be thriving as a legitimate procedure in a number of recent Hollywood films including, GI Jane, Safe House, Zero Dark Thirty, and Taken 3. In a world in which nothing matters but a survival-of-the-fittest ethos, pleasure and gratification slide into boredom, shielding a pornography of violence from any sense of moral and public accountability.

Guns are certainly a major problem in the United States, but they are symptomatic of a much larger crisis, one that suggests not only that democracy is broken in the United States but that the country has tipped over into forms of domestic and foreign terrorism characteristic of a new and deadly form of authoritarianism. We have become one of the most violent cultures on the planet and regulating guns does not get to the root of the problem. Zhiwa Woodbury touches on this issue when he writes:

In truth, the gun issue is an easy chimera that allows us to avoid looking in the mirror. It is much easier for us to imagine that this is an unfortunate political or regulatory issue than it is to ask what our own complicity in this ongoing, slow motion slaughter of innocents might be. Think about this. We are a country of approximately 300 million people with approximately 300 million firearms – a third of which are concealable handguns. Each one of these guns is made for one purpose only – to kill as quickly and effectively as possible. The idea that some magical regulatory scheme, short of confiscation, will somehow prevent guns from being used to kill people is laughable, regardless of what you think of the NRA. Similarly, mentally ill individuals are responsible for less than 5% of the 30,000+ gunned down in the U.S. every year.

In the current historical conjuncture, war, bigotry, and the call to violence is embraced by many including Donald Trump, the leading Republican Party presidential candidate making it clear as John Pilger has argued that in America “an insidious modern fascism is now an accelerating danger.” It is difficult to watch both Trump and the corporate coverage of his fascistic assaults and actions. What is truly crucial to recognize is that there are ideological, economic, social, political, and cultural forces at work in the United States that have created the formative culture in which this kind of authoritarian populism and its embrace of symbolic and material violence thrives. Surely, two of the major crises of our times are the crisis of agency and civic literacy, on the one hand, and the withering of public values, trust, and democratic public spheres on the other. The drumbeat of fascism and its embrace of violence does not rely only on mimicking the infamous brownshirts of Nazi Germany but also on the collapse of democratic politics, the concentration of power in the hands of the few, the myth that only individuals are responsible for the systemic assaults they have to weather, and that self-interest is the only value that matters. Consumerism becomes a form of soma, memory no longer serves as a moral witness, and politics is in the hands of the 1 per cent, utterly corrupted by money and power. Traces of a totalitarianism now appear, stripped of memory and the horrors they produced. In their new forms, the threats they pose go unrecognizable and are tolerated as politics as usual, only with less civility. Under such conditions, the social withers, solidarity is replaced by shark like competition, and state violence and the spectacle of violence become normalized. We live in a time of monsters and Trump is simply symptomatic of the financial class he represents and the history we refuse to learn from.

As I have said elsewhere, violence has arisen from the breakdown of public space, the erasure of public goods, the embrace of a deadly war psychology, and a growing disdain for the common good. Gratuitous violence has become central to a society that trades on fear and fetishizes hyper-violent and punitive practices and social relations. Brutal masculine authority now rules American society and wages a war against women’s reproductive rights, civil liberties, poor black and brown youth, and Mexican immigrants. Americans inhabit society run by a financial elite that refuses to recognize that war is a descent into madness and the scope and breadth of the violence it produces infects our language, values, social relations, and democracy itself. War has become an all-embracing ideal that feeds the most totalitarian practices and shores up an authoritarian state. As an organizing principle of society, the politics and culture of violence unravels the fabric of democracy suggesting that America is at war with itself, its children, and its future. The political stooges who have become lapdogs of corporate and financial must be held accountable for the deaths taking place in a toxic culture of gun violence. The condemnation of violence cannot be limited to police brutality. Violence does not just come from the police. In the United States there are other dangers emanating from state power that punishes whistle blowers, intelligence agencies that encourage the arrests of those who protest against the abuse of corporate and state power, and a corporate controlled media that that trades in ignorance, lies, and falsehoods, all the while demanding and generally “receiving unwavering support from their citizens.”

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