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By Ben Bagdikian
By Michael Hudson
$35
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 Tiffanie Tran
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Left-wing generationalism is on display on the pages of this month’s Jacobin as editor Peter Frase responds to Baffler contributor Thomas Frank’s criticism of the ethos of the Occupy movement.
Posted on Dec 27, 2012
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 ms.donnalee / donna cleveland (CC BY 2.0)
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Postmodern confusion about how populist movements take hold and flourish caused Occupy Wall Street to “deconstruct” itself in a frenzied obsession with nonhierarchical structures, a disdain for demands, and other trappings of “lazy, reflexive libertarianism,” author and columnist Thomas Frank writes in The Baffler.
Posted on Dec 13, 2012
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 Jane Magellanic
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Thomas Frank, master of sarcasm and chief polemicist for Harper’s Magazine, is a treasure of the anxious, aggravated left. He recently made a demonstration of happy defiance in the face of accelerating social disaster in an interview with The Financial Times.
Posted on Nov 1, 2012
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 Steve.D.Hammond (CC BY-ND 2.0)
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As American communities crumble under the weight of corporate capitalism, leaders attempt to convince their fellow citizens that the magical quality of “vibrancy” dwelling in arts districts—not universal health care, financial regulation or public works projects—will get their towns back on their feet.
Posted on Jul 14, 2012
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 Fey Ilyas (CC BY-SA 2.0)
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By James K. Galbraith, The Baffler —
Two months before the collapse of Lehman Brothers in 2008, a group of experts and I warned the Obama campaign about the likelihood of a global economic crisis. Not the slightest word came back.
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 The Baffler
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With the revival of The Baffler, former WSJ columnist and current Harper’s Magazine contributor Thomas Frank reveals that success in Washington and big business has everything to do with belonging to the right pack, especially if that pack was dead wrong about the economy.
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 Thomas Frank
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Dissident lefties, rejoice! After a long hiatus resulting from an office fire and a host of other problems, Thomas Frank’s fearless cultural journal, The Baffler, is due to return this summer online and in print in all of its caustic, critical glory. (more)
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