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By Frances Itani $24.00
$21
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It’s hard to believe, but Fox News is already 12! As the Murdochian news channel faces the inevitable growing pains of its ‘tween age, working hard to define President Bush’s legacy before he leaves office and displaying as many American flags as screen space will allow, “Daily Show” correspondent John Oliver salutes Fox with his own special tribute.
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After a (seemingly endless) hiatus, Jon Stewart and Stephen Colbert are back on Comedy Central, even as striking writers continue to picket outside the network’s mothership. Here, “Daily Show” correspondent John Oliver endures a heated confrontation with ... himself, actually, as he covers the strikers outside the show’s studio.
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Jon Stewart and “Daily Show” correspondent John Oliver gleefully ridicule the vice president’s outrageous dissembling over his lesbian daughter’s pregnancy.
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In this week’s installment, “Daily Show” correspondent John Oliver mocks Rumsfeldian “ironic distance” from the war; NBC’s David Gregory rakes the White House’s Tony Snow over a bed of coals; and “Meet the Press” host Tim Russert airs Bush’s dirty laundry on national TV.
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The “World Trade Center” filmmaker is heading a project on the U.S. invasion of Afghanistan and the hunt for Osama Bin Laden—written by Cyrus Nowrasteh, the scribe behind the wildly inaccurate ABC undocu-drama “The Path to 9/11.”
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The “Daily Shows” foreigner correspondent, John Oliver, reports from the front lines of the immigration debate, sharing his own harrowing experience: Jon, like billions of other unfortunate people in the world, I was tragically born not American.
Posted on Sep 15, 2006
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 ziyue.com
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Oliver Stone, speaking at the Venice Film Festival, criticized Hollywood?s romance of war. ? ‘Pearl Harbor’ and ‘Black Hawk Down’—these movies worshipped the machinery of war and I think America went back to the concept of war too easily.?
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 imdb.com
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The N.Y. Times says “World Trade Center” marks a departure for filmmaker Oliver Stone in that the movie has no hint of a political agenda. It’s a “harrowing return to a singular, disastrous episode in the recent past and a refuge from the ugly, depressing realities of its aftermath.”
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