Truthdig - Tag - Indie Films

	<a href='http://www.truthdig.com/banners/www/delivery/ck.php?n=a9cd87eb&cb=1022008434' target='_blank'><img src='http://www.truthdig.com/banners/www/delivery/avw.php?zoneid=1&cb=1022008434&n=a9cd87eb' border='0' alt='' /></a>	May 24, 2013
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Trending: chris hedges economy elizabeth warren politics robert scheer

Three Questions Left Unanswered by Obama’s Counterterrorism Speech

Colbert Slams PBS for Appeasing Koch Brothers

'Left, Right & Center': Obama Ends the War on Terror

How to Make a Million Dollars an Hour

Marching in Chicago: Resisting Rahm Emanuel’s Neoliberal Savagery

Marching in Chicago: Resisting Rahm Emanuel’s Neoliberal Savagery
By Henry A. Giroux, Truthout

Three Questions Left Unanswered by Obama’s Counterterrorism Speech
By Bill Blum

New York City’s Summers May Heat Up
By Tim Radford, Climate News Network

After Oklahoma Disaster, Give Thanks to Government
By David Sirota

Corporate Tax Cheats by the Numbers

‘Children Are Dying’

Gay Boys Free to Join Still-Bigoted Scouts

Obama Heckled During Speech, Warren Lands a Book Deal, and More

Paul McCartney: Free Pussy Riot

Not-So-Happy Swedes Riot in Stockholm

‘Left, Right & Center’: Obama Ends the War on Terror

Why Is the IRS Involved in Politics in the First Place?

Colbert Slams PBS for Appeasing Koch Brothers

Scahill on Obama’s Admitted Killings of Americans

How to Make a Million Dollars an Hour
By Nomi Prins

A Call to Action
By James Cromwell

‘SNL’: Stefon’s Farewell Features Anderson Cooper

Act of Congress
By Jesse Eisinger

The Questions Education Reformers Aren’t Asking

Dig led by Mike Rose

Gore Vidal: His Life and Legacy

Dig led by Truthdig Staff

They Shoot Coaches, Don’t They? UCLA and the NCAA Since John Wooden

By Mark Heisler
$2.79

Tag: Indie Films

AP/Matt Sayles

Hollywood Isn’t So Progressive When It Comes to Female Filmmakers

By Tracy Bloom —

When Kathryn Bigelow won an Oscar for 2008’s “The Hurt Locker,” it was widely viewed as a breakthrough moment for women who worked behind the camera. But several years later, Bigelow is still an exception to the long-held belief in Hollywood that a man must steer a film in order for it to have a chance at financial success.