Mar 8, 2014
Ernest Callenbach: Last Words to an America in Decline
Posted on May 7, 2012
And so we have returned, in a sort of terrible circle, to something like my boyhood years, when President Roosevelt spoke in anger of “one third of a nation ill-housed, ill-fed, ill-clothed.” A large and militant contingent of white, mostly elderly, Anglo-Saxon, Protestant right wingers, mortally threatened by their impending minority status and pretending to be liberty-lovers, desperately seek to return us still further back.
Americans like to think of ours as an exceptional country, immune through geographical isolation and some kind of special virtue to the tides of history. Through the distorted lens of our corporate media, we possess only a distorted view of what the country is really like now. In the next decades, we shall see whether we indeed possess the intelligence, the strength, and the mutual courage to break through to another positive era.
No futurist can foresee the possibilities. As empires decay, their civilian leaderships become increasingly crazed, corrupt, and incompetent, and often the military (which is after all a parasite of the whole nation, and has no independent financial base like the looter class) takes over. Another possible scenario is that if the theocratic red center of the country prevails in Washington, the relatively progressive and prosperous coastal areas will secede in self-defense.
Ecotopia is a novel, and secession was its dominant metaphor: how would a relatively rational part of the country save itself ecologically if it was on its own? As Ecotopia Emerging puts it, Ecotopia aspired to be a beacon for the rest of the world. And so it may prove, in the very, very long run, because the general outlines of Ecotopia are those of any possible future sustainable society.
When disasters strike and institutions falter, as at the end of empires, it does not mean that the buildings all fall down and everybody dies. Life goes on, and in particular, the remaining people fashion new institutions that they hope will better ensure their survival.
So I look to a long-term process of “succession,” as the biological concept has it, where “disturbances” kill off an ecosystem, but little by little new plants colonize the devastated area, prepare the soil for larger and more complex plants (and the other beings who depend on them), and finally the process achieves a flourishing, resilient, complex state—not necessarily what was there before, but durable and richly productive. In a similar way, experiments under way now, all over the world, are exploring how sustainability can in fact be achieved locally. Technically, socially, economically—since it is quite true, as ecologists know, that everything is connected to everything else, and you can never just do one thing by itself.
Since I wrote Ecotopia, I have become less confident of humans’ political ability to act on commonsense, shared values. Our era has become one of spectacular polarization, with folly multiplying on every hand. That is the way empires crumble: they are taken over by looter elites, who sooner or later cause collapse. But then new games become possible, and with luck Ecotopia might be among them.
Humans tend to try to manage things: land, structures, even rivers. We spend enormous amounts of time, energy, and treasure in imposing our will on nature, on preexisting or inherited structures, dreaming of permanent solutions, monuments to our ambitions and dreams. But in periods of slack, decline, or collapse, our abilities no longer suffice for all this management. We have to let things go.
All things “go” somewhere: they evolve, with or without us, into new forms. So as the decades pass, we should try not always to futilely fight these transformations. As the Japanese know, there is much unnoticed beauty in wabi-sabi—the old, the worn, the tumble-down, those things beginning their transformation into something else. We can embrace this process of devolution: embellish it when strength avails, learn to love it.
There is beauty in weathered and unpainted wood, in orchards overgrown, even in abandoned cars being incorporated into the earth. Let us learn, like the Forest Service sometimes does, to put unwise or unneeded roads “to bed,” help a little in the healing of the natural contours, the re-vegetation by native plants. Let us embrace decay, for it is the source of all new life and growth.
Ernest Callenbach, author of the classic environmental novel “Ecotopia” among other works, founded and edited the internationally known journal Film Quarterly. He died at 83 on April 16th, leaving behind this document on his computer.
Copyright Ernest Callenbach 2012
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