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The Pictures of War You Aren’t Supposed to See
Posted on Jan 4, 2010
By Chris Hedges
“She had been my girlfriend in the military and we had planned to be married,” he says. “But when she saw me in the hospital—I don’t know exactly what happened, but later they told me when she saw me she began to cry. Afterwards, she ran away and never came back.”
The public manifestations of gratitude are reserved for veterans who dutifully read from the script handed to them by the state. The veterans trotted out for viewing are those who are compliant and palatable, those we can stand to look at without horror, those who are willing to go along with the lie that war is about patriotism and is the highest good. “Thank you for your service,” we are supposed to say. They are used to perpetuate the myth. We are used to honor it.
Gary Zuspann, who lives in a special enclosed environment in his parent’s home in Waco, Texas, suffering from Gulf War syndrome, speaks in Grinker’s book of feeling like “a prisoner of war” even after the war had ended.
“Basically they put me on the curb and said, okay, fend for yourself,” he says in the book. “I was living in a fantasy world where I thought our government cared about us and they take care of their own. I believed it was in my contract, that if you’re maimed or wounded during your service in war, you should be taken care of. Now I’m angry.”
Square, Site wide
I went back to Sarajevo after covering the 1990s war for The New York Times and found hundreds of cripples trapped in rooms in apartment blocks with no elevators and no wheelchairs. Most were young men, many without limbs, being cared for by their elderly parents, the glorious war heroes left to rot.
Despair and suicide grip survivors. More Vietnam veterans committed suicide after the war than were killed during it. The inhuman qualities drilled into soldiers and Marines in wartime defeat them in peacetime. This is what Homer taught us in “The Iliad,” the great book on war, and “The Odyssey,” the great book on the long journey to recovery by professional killers. Many never readjust. They cannot connect again with wives, children, parents or friends, retreating into personal hells of self-destructive anguish and rage.
“They program you to have no emotion—like if somebody sitting next to you gets killed you just have to carry on doing your job and shut up,” Steve Annabell, a British veteran of the Falklands War, says to Grinker. “When you leave the service, when you come back from a situation like that, there’s no button they can press to switch your emotions back on. So you walk around like a zombie. They don’t deprogram you. If you become a problem they just sweep you under the carpet.”
“To get you to join up they do all these advertisements—they show people skiing down mountains and doing great things—but they don’t show you getting shot at and people with their legs blown off or burning to death,” he says. “They don’t show you what really happens. It’s just bullshit. And they never prepare you for it. They can give you all the training in the world, but it’s never the same as the real thing.”
Those with whom veterans have most in common when the war is over are often those they fought.
“Nobody comes back from war the same,” says Horacio Javier Benitez, who fought the British in the Falklands and is quoted in Grinker’s book. “The person, Horacio, who was sent to war, doesn’t exist anymore. It’s hard to be enthusiastic about normal life; too much seems inconsequential. You contend with craziness and depression.”
“Many who served in the Malvinas,” he says, using the Argentine name of the islands, “committed suicide, many of my friends.”
“I miss my family,” reads a wall graffito captured in one of Agtmael’s photographs. “Please God forgive the lives I took and let my family be happy if I don’t go home again.”
Next to the plea someone had drawn an arrow toward the words and written in thick, black marker “Fag!!!”
Look beyond the nationalist cant used to justify war. Look beyond the seduction of the weapons and the pornography of violence. Look beyond Barack Obama’s ridiculous rhetoric about finishing the job or fighting terror. Focus on the evil of war. War begins by calling for the annihilation of the others but ends ultimately in self-annihilation. It corrupts souls and mutilates bodies. It destroys homes and villages and murders children on their way to school. It grinds into the dirt all that is tender and beautiful and sacred. It empowers human deformities—warlords, Shiite death squads, Sunni insurgents, the Taliban, al-Qaida and our own killers—who can speak only in the despicable language of force. War is a scourge. It is a plague. It is industrial murder. And before you support war, especially the wars in Iraq and Afghanistan, look into the hollow eyes of the men, women and children who know it.
Chris Hedges, a Pulitzer Prize-winning correspondent who covered conflicts for two decades in Central America, Africa, the Middle East and the Balkans, writes a column published every Monday on Truthdig. His latest book is “Empire of Illusion: The End of Literacy and the Triumph of Spectacle.”
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