Dec 5, 2013
Truthdigger of the Week: Aaron Swartz
Posted on Jan 13, 2013
On Saturday Jan. 12, the Internet grieved at the news that 26-year-old Aaron Swartz, writer, software programmer and champion of Internet freedom, committed suicide in his Brooklyn apartment.
Swartz’s death stunned many who sensed the possibility of a better future through the work of a man who had already achieved much by his mid-20s. When barely a teenager, Swartz helped develop RSS, the near ubiquitous Internet program that streamlined users’ access to frequently updated online publications. He was one of the early architects of Creative Commons, an alternative copyright system that qualifies intellectual property at various levels of free use. And in his late teens he played a crucial role in the creation of Reddit, an immensely popular social networking news site.
A future of riches and status, a life that beckons many young, successful Internet entrepreneurs, seemed to be his for the taking. But Swartz didn’t bite. Instead, he devoted himself to activism. Through Demand Progress, one of the pro-democracy groups he co-founded, Swartz helped to defeat SOPA, a bill sponsored by the entertainment industry that would have empowered the government to censor parts of the Internet. Author Cory Doctorow, Boing Boing editor and friend to Swartz, described this era of Swartz’s life as his true “coming of age.”
Throughout his teenage and adult years, the budding activist wrote volubly and passionately about Internet freedom, civil liberties and free access to information. As the grief that flooded the Internet after his death showed—from remembrances written by friends to the appearance in article comment sections of periods (“.”) representing moments of silence—he was beloved, widely respected and admired for these achievements.
In the year and a half leading up to his death, Swartz faced prosecution potentially leading to felony convictions that carried punishments of decades in prison and millions of dollars in fines. His crime was allegedly entering an MIT computer closet and downloading some 4 million articles from the digital academic publisher JSTOR. The archive charges subscription prices for articles from a wide variety of journals, some written by professors at publicly funded universities, and the scholars are often not reimbursed for the sales. This secreting away of knowledge offended Swartz’s sense of community obligation. In a 2008 manifesto, he wrote compellingly about the “private theft of public culture”:
Those who seek to return these treasures to the public trust are slandered by society’s leaders as thieves and pirates and forced to operate underground, “as if sharing a wealth of knowledge were the moral equivalent of plundering a ship and murdering its crew. But sharing isn’t immoral,” he urged, “it’s a moral imperative. Only those blinded by greed would refuse to let a friend make a copy.”
Corporations and the politicians who serve them are blind, he argued. Together they craft laws that they use to monopolize society’s physical and intellectual goods, depriving the rest of us of their benefits as a consequence.
“There is no justice in following unjust laws,” Swartz said. “It’s time to come into the light and, in the grand tradition of civil disobedience, declare our opposition to this private theft of public culture.”
“We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that’s out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. [Italics added.] We need to fight for Guerilla Open Access.”
This vision was not meant to be merely an idealist’s dream. “With enough of us, around the world, we’ll not just send a strong message opposing the privatization of knowledge—we’ll make it a thing of the past.”
Swartz was more than talk. In an essential piece on the deep, social significance of his life published the day after his death, Guardian columnist and former constitutional and civil rights lawyer Glenn Greenwald unabashedly described Swartz as a hero. In the tradition of ancient Greek drama, tragic heroes were imperfect but virtuous people—usually young men or women—who unwittingly sacrificed themselves for the good of the tribe. Unaware of the fate that awaited them, they fell from good fortune to bad by way of some major flaw. The hero’s death evoked pity, sympathy, empathy and compassion in the audience, which had the chance to draw its own moral benefit from what it saw.
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