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The Unsilenced Voice of a ‘Long-Distance Revolutionary’
Posted on Dec 9, 2012
By Chris Hedges
I am sitting in the visiting area of the SCI Mahanoy prison in Frackville, Pa., on a rainy, cold Friday morning with Mumia Abu-Jamal, America’s most famous political prisoner and one of its few authentic revolutionaries. He is hunched forward on the gray plastic table, his dreadlocks cascading down the sides of his face, in a room that looks like a high school cafeteria. He is talking intently about the nature of empire, which he is currently reading voraciously about, and effective forms of resistance to tyranny throughout history. Small children, visiting their fathers or brothers, race around the floor, wail or clamber on the plastic chairs. Abu-Jamal, like the other prisoners in the room, is wearing a brown jumpsuit bearing the letters DOC—for Department of Corrections.
Abu-Jamal was transferred in January to the general prison population after nearly 30 years in solitary confinement on death row and was permitted physical contact with his wife, children and other visitors for the first time in three decades. He had been sentenced to death in 1982 for the Dec. 9, 1981, killing of Philadelphia police officer Daniel Faulkner. His sentence was recently amended to life without parole. The misconduct of the judge, flagrant irregularities in his trial and tainted evidence have been criticized by numerous human rights organizations, including Amnesty International.
Abu-Jamal, who was a young activist in the Black Panthers and later one of the most important radical journalists in Philadelphia, a city that a few decades earlier produced I.F. Stone, has long been the bête noire of the state. The FBI opened a file on him when he was 15, when he started working with the local chapter of the Black Panthers. He was suspended from his Philadelphia high school when he campaigned to rename the school for Malcolm X and distributed “black revolutionary student power” literature.
Stephen Vittoria’s new film documentary about Abu-Jamal, “Long Distance Revolutionary,” rather than revisit the case, chronicles his importance and life as an American journalist, radical and intellectual under the harsh realities of Pennsylvania’s death row. Abu-Jamal has published seven books in prison, including his searing and best-selling “Live From Death Row.” The film features the voices of Cornel West, James Cone, Dick Gregory, Angela Davis, Alice Walker and others. It opens in theaters Feb. 1, starting in New York City. In the film Gregory says that Abu-Jamal has single-handedly brought “dignity to the whole death row.”
The late historian Manning Marable says in the film: “The voice of black journalism in the struggle for the liberation of African-American people has always proved to be decisive throughout black history. When you listen to Mumia Abu-Jamal you hear the echoes of David Walker, Frederick Douglass, W.E.B. Du Bois, Paul Robeson, and the sisters and brothers who kept the faith with struggle, who kept the faith with resistance.”
Square, Site wide
The authorities, as they did before he was convicted, have attempted to silence him in prison. Pennsylvania banned all recorded interviews with Abu-Jamal after 1996. In response to protests over the singling out of one inmate in the Pennsylvania correction system, the state simply banned recorded access to all its inmates. The ban is nicknamed “the Mumia rule.”
“I was punished for communicating,” Abu-Jamal says.
Cornel West says in the film: “The state is very clever in terms of keeping track, especially [of] the courageous and visionary ones, the ones that are long-distance runners. You can keep track of them, absorb ’em, dilute ’em, or outright kill ’em—you don’t have to worry about opposition to ’em.”
“If you tell them the truth about the operation of our power this is what happens to you,” he goes on. “Like Jesus on the cross. This is what happens to you.”
During my four-and-a-half-hour conversation with Abu-Jamal I was not permitted a pencil or paper. I wrote down his quotes after I left the prison. My time with him mirrors the wider pattern of a society where the poor and the destitute are rendered invisible and voiceless.
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