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Paul Robeson: A Life


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The Life and Death of Conrad and the Los Angeles Times

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Posted on Sep 17, 2010
AP

By Robert Scheer

I am deeply honored that Paul’s family asked me to give this eulogy because I can think of no greater figure in American journalism than Paul Conrad. That is a considered judgment on my part and something I felt long before the moment of his death.

I was in awe of Conrad’s work even before joining the Los Angeles Times in 1976. I know I speak for just about every one of my colleagues during those years at the newspaper when I say that this irrepressible genius of a man was the standard-bearer of that newspaper’s excellence, integrity and passion for social justice during the decades when, under the leadership of Otis Chandler, Tom Johnson and Bill Thomas, that newspaper became one of the very best in the entire world.

His was the exuberance of the uncompromising spirit, the joyous iconoclast who scoffed at the temptations of opportunism and careerism as the work of the devil. He was an inherently kind and considerate man, but he would not suffer fools, be they shouting critics whose phone calls he insisted on answering patiently or even a writer like myself, who took too many words to make his point.

Recently, John Dean, Richard Nixon’s White House counsel who blew the lid off Watergate, lectured in my class at USC and afterward spoke of his admiration for Paul, noting, “Conrad proved that a cartoon is worth a thousand words—just ask Richard Nixon,” who, it should be added, put Con on his infamous enemies list—an award right up there with the three Pulitzer Prizes Paul won.

In the mid-1980s I interviewed Nixon, and even he could not resist what I took to be a forgiving chuckle when I mentioned Paul. Conrad was tough but he was fair. I recall well, during the decade that I lived in Orange County when my wife Narda Zacchino edited the Los Angeles Times’ edition there, that even many of those who disagreed vehemently with Conrad’s cartoons begrudgingly respected his work. He was so often on target against the outrages of the powerful, Democrats included, that his stunning work simply could not be ignored.

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I was reminded of that recently when I paid tribute to Paul on our “Left, Right and Center” show on KCRW.  I almost fell out of my chair when, for the first time, my right-wing adversary Tony Blankley, Newt Gingrich’s former press secretary, not only endorsed my point but went further in praising Paul. Tony had grown up in Los Angeles where he was a child actor and he stated: “I was raised on Paul Conrad, the most brilliant cartoonist I have ever known.”

I realized yesterday that we have been maintaining a shrine of sorts to Paul’s work, as his framed cartoons cover two walls in our home, and displayed on a nearby shelf are three of his statues—Nixon, Bobby Kennedy, and George W. Bush—the latter being all hat.  One of my favorite of his works is a Conrad cartoon of a Nike sneaker with a young girl inside, sewing away. The caption reads: ”There is a young lady who lives in a shoe. The company makes millions, she only makes two.”

From our high-rise condo atop Bunker Hill, I look down on the headquarters of two institutions that were the most important in Paul’s life.  One is the Times building, now in bankruptcy, a monument to unfettered corporate greed. After Tom Johnson, the paper’s publishers did not treat Conrad well. In an e-mail I received yesterday, Tom summarized that most startling example of the newspaper’s steep decline.

Tom described how, when he was publisher, he and Bill Thomas and editorial page editor Tony Day would often hear the heated complaints from the most powerful figures in the community: “Paul drew fire from Archbishop Mahoney, Howard Ellison at Edison, Fred Hartley at Union Oil, Sam Yorty, Richard Nixon, Ronald Reagan, David Packard, to name just a few.”

Tom observed that, “On several occasions, Times Mirror leaders and conservative Chandler family members complained loudly to Otis, Bill, Tony and me. To the best of my memory, we either ignored their criticism or defended Paul’s work.” And then Tom added the only valid response to such criticism:  “Paul WAS the finest editorial cartoonist in the nation.”

Unfortunately, as legendary New Yorker media critic A.J. Liebling once ruefully observed, “Freedom of the press is guaranteed only to those who own one.” Sadly,  the subsequent owners of the Times betrayed not only Paul, finally forcing him out, they betrayed the Times’ commitment to a free press.

The other institution that I see from my window is the Catholic Cathedral—the church that was so important to Paul but which has proved itself fallible in precisely the ways that Paul scorned.

But while Paul was a skeptic, he was not a cynic—in his work and in his life he always held out the hope of human redemption—that justice would prevail and that the moral core that he found at the center of his religious conviction and his love of democracy would ultimately triumph.

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Click here to check out Robert Scheer’s book,
“The Great American Stickup: How Reagan Republicans and Clinton Democrats Enriched Wall Street While Mugging Main Street.”


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By faith, September 21, 2010 at 12:23 pm Link to this comment

Wonderful eulogy Mr. Scheer.  As a side note, many of LAT readers, including
myself stopped our subscription to the newspaper when you left.  I had not
realized that Conrad had also left.  Loved his work.
Thank you again for sharing.

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By J. Conrad, September 19, 2010 at 3:49 pm Link to this comment

Thanks for posting this, Robert. Your comments mean a lot.

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By john crandell, September 18, 2010 at 4:39 pm Link to this comment

My only point of disagreement is that Mr. Oliphant is truly his equal and thank
gawd for that in this Orwellian time.

The first cartoon of Conrad’s that I cut out to save was just after I’d returned from
Vietnam: his lampoon of Billy Buckley (not long after Buckley’s sister had slapped Ti Grace Atkinson for suggesting that the blessed “virgin” Mary had been knocked up..)

For the caption, he quoted Billy’s public acknowledgement: “I admit that we
proceeded in somewhat of an ethical vacuum.” Those words have come to say
everything about the entire Repugnant Party.

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By Ms. Kit, September 17, 2010 at 9:31 pm Link to this comment

I remember a wonderful dialog between Bob and Paul at a UCLA/LATimes Book Festival a few years ago. One of my all-time favorite Book Festival events,  featuring two of my all-time-favorite LATimes journalists.

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By art guerrilla, September 17, 2010 at 7:42 pm Link to this comment
(Unregistered commenter)

1. i certainly *remember* conrad having very good
cartoons, but (editor, i’m looking at you) would it break
your mouse arm to put a linky to some examples of his work
? ? ?
2. hate how sites like yours artificially split up
articles into multiple pages to generate clicky-clicks…
shows you don’t give a shit about your reader’s experience
here…
art guerrilla
aka ann archy
.(JavaScript must be enabled to view this email address)
eof

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By C Burkey, September 17, 2010 at 5:47 pm Link to this comment
(Unregistered commenter)

On proandconrad.com they are taking pre-orders for a documentary about Paul Conrad called “Drawing Fire.”
Without the ability to speak truth to power and be supported, like he was for that magical time at the Times, there is no such thing as “freedom.”

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By T. A. Madison, September 17, 2010 at 9:54 am Link to this comment

This splendid obituary reminds me that the spirit of liberty and justice for all is communicated through the heart.

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