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How the CIA Created a Fake Western Reality for ‘Unconventional Warfare’
Posted on Apr 26, 2017
By Paul Fitzgerald and Elizabeth Gould
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Editor’s note: This article is the third part of a four-part series on Truthdig called “Universal Empire”—an examination of the current stage of the neocon takeover of American policy that began after World War ll. Read Part 1, Part 2 and Part 4.
The odd, psychologically conflicted and politically divisive ideology referred to as neoconservatism can claim many godfathers. Irving Kristol (father of William Kristol), Albert Wohlstetter, Daniel Bell, Norman Podhoretz and Sidney Hook come to mind. And there are many others. But in both theory and practice, the title of founding father for the neoconservative agenda of endless warfare that rules the thinking of America’s defense and foreign policies today might best be applied to James Burnham.
His writings in the 1930s provided a refined Oxford intellectual’s gloss to the Socialist Workers Party, and as a close adviser to Communist revolutionary Leon Trotsky and his Fourth International, he learned the tactics and strategies of infiltration and political subversion firsthand. Burnham reveled in his role as a “Trotskyist intellectual,” pulling dirty tricks on his political foes in competing Marxist movements by turning their loyalties and looting their best talent.
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By 1947 James Burnham’s transformation from Communist radical to New World Order American conservative was complete. His “Struggle for the World” had done a French Turn on Trotsky’s permanent Communist revolution and turned it into a permanent battle plan for a global American empire. All that was needed to complete Burnham’s dialectic was a permanent enemy, and that would require a sophisticated psychological campaign to keep the hatred of Russia alive for generations.
The Rise of the Machiavellians
In 1939 Sidney Hook, Burnham’s colleague at New York University and fellow Marxist philosopher, had helped to found an anti-Stalinist Committee for Cultural Freedom as part of a campaign against Moscow. During the war Hook, too, had abandoned Marxism and, like Burnham, somehow found himself in the warm embrace of the right wing of America’s intelligence community during and after World War II. Hook was viewed by the Communist Party as a traitor and “counter-revolutionary reptile” for his activities and by 1942 was informing on his fellow comrades to the FBI.
Selling impoverished and dispossessed European elites on the virtues of American culture was essential to building America’s empire after the war, and Burnham’s early writings proved the inspiration from which a new counterculture of “freedom” would be built. As veterans of internecine Trotskyist warfare, both Burnham and Hook were practiced at the arts of infiltration and subversion, and with Burnham’s “The Machiavellians: Defenders of Freedom” as their blueprint, they set out to color anything the Soviets did or said with dark intent.
As Burnham articulated clearly in “The Machiavellians,” his version of freedom meant anything but intellectual freedom or those freedoms defined by America’s Constitution. What it really meant was conformity and submission. Burnham’s freedom only applied to those intellectuals (the Machiavellians) willing to tell people the hard truth about the unpopular political realities they faced. These were the realities that would usher in a brave new world of the managerial class, who would set about denying Americans the very democracy they thought they already owned. As Orwell observed about Burnham’s Machiavellian beliefs in his 1946 “Second Thoughts”: “Power can sometimes be won or maintained without violence, but never without fraud, because it is necessary to use the masses.”
By its own admission, the CIA’s strategy of promoting the non-Communist left would become the theoretical foundation of the agency’s political operations against Communism for over the next two decades. But the no-holds-barred cultural war against Soviet Communism began in earnest in March 1949 when a group of 800 prominent literary and artistic figures gathered at New York’s Waldorf Astoria Hotel for a Soviet-sponsored “Cultural and Scientific” conference that would sue for peace. Both Sidney Hook and James Burnham were already actively involved in enlisting recruits to counter the efforts of Moscow’s Communist Information Bureau (Cominform) to influence Western opinion. But the Waldorf conference gave them an opportunity for dirty tricks they could only have prayed for.
Demonstrators organized by a right-wing coalition of Catholic groups and the American Legion heckled the guests as they arrived. Catholic nuns knelt in prayer for the souls of the Communist atheists in attendance. Gathered upstairs in a 10-floor bridal suite, a gang of ex-Trotskyists and Communists led by Hook intercepted the conference’s mail, doctored official press releases and published pamphlets challenging speakers to admit their Communist past.
In the end the entire conference became a twisted theater of the absurd, and Hook and Burnham would use it to sell Frank Wisner at the CIA’s Office of Policy Coordination on taking the show on the road.
The Congress for Cultural Freedom: By Hook or by Crook
Drawing on the untapped power of the Fourth International, the coming-out party came on June 26, 1950, at the Titania Palace in occupied Berlin. Named for Hook’s 1939 concept for a cultural committee, The Congress for Cultural Freedom’s 14-point “Freedom Manifesto” was to identify the West with freedom. And since everything about the West was said to be free, free, free, then it went without saying that everything about the Soviet Union wasn’t.
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