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How a Thug State Operates
Posted on Feb 21, 2014
By Tom Engelhardt, TomDispatch
This piece first appeared at TomDispatch.
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Such figures should stagger us and what he did take will undoubtedly occupy journalists for months or years more (and historians long after that). Keep this in mind, however: the NSA is only one of 17 intelligence outfits in what is called the U.S. Intelligence Community. Some of the others are as large and well funded, and all of them generate their own troves of secret documents, undoubtedly stretching into the many millions.
And keep something else in mind: that’s just intelligence agencies. If you’re thinking about the full sweep of our national security state (NSS), you also have to include places like the Department of Homeland Security, the Energy Department (responsible for the U.S. nuclear arsenal), and the Pentagon. In other words, we’re talking about the kind of secret documentation that an army of journalists, researchers, and historians wouldn’t have a hope of getting through, not in a century.
We do know that, in 2011, the whole government reportedly classified 92,064,862 documents. If accurate and reasonably typical, that means, in the twenty-first century, the NSS has already generated hundreds of millions of documents that could not be read by an American without a security clearance. Of those, thanks to one man (via various journalists), we have had access to a tiny percentage of perhaps 1.7 million of them. Or put another way, you, the voter, the taxpayer, the citizen—in what we still like to think of as a democracy—are automatically excluded from knowing or learning about most of what the national security state does in your name. That’s unless, of course, its officials decide to selectively cherry-pick information they feel you are capable of safely and securely absorbing, or an Edward Snowden releases documents to the world over the bitter protests, death threats, and teeth gnashing of Washington officialdom and retired versions of the same.
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Summoned From the Id of the National Security State
So far, even among critics, the debate about what to make of Snowden’s act has generally focused on “balance”; that is, on what’s the right equilibrium between an obvious governmental need for secrecy, the security of the country, and an American urge for privacy, freedom, and transparency—for knowing, among other things, what your government is actually doing. Such a framework (“a meaningful balance between privacy and security”) has proven a relatively comfortable one for Washington, which doesn’t mind focusing on the supposedly knotty question of how to define the “limits” of secrecy and whistle-blowing and what “reforms” are needed to bring the two into line. In the present context, however, such a debate seems laughable, if not absurd.
After all, it’s clear from the numbers alone that the urge to envelop the national security state in a blanket of secrecy, to shield its workings from the eyes of its citizens (as well as allies and enemies) has proven essentially boundless, as have the secret ambitions of those running that state. There is no way, at present, to limit the governmental urge for secrecy even in minimal ways, certainly not via secret courts or congressional committees implicated and entangled in the processes of a secret system.
In the face of such boundlessness, perhaps the words “whistleblower” and “leaker”—both traditionally referring to bounded and focused activities—are no longer useful. Though we may not yet have a word to describe what Chelsea (once Bradley) Manning, Julian Assange, and Edward Snowden have done, we should probably stop calling them whistleblowers. Perhaps they should instead be considered the creations of an overweening national security state, summoned by us from its id (so to speak) to act as a counterforce to its ambitions. Imagine them as representing the societal unconscious. Only in this way can we explain the boundlessness of their acts. After all, such massive document appropriations are inconceivable without a secret state endlessly in the process of documenting its own darkness.
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