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Going to the Daytime Emmys
Posted on May 7, 2017
By Chris Hedges
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I made my way down the red carpet ignored, thankfully, by the gaggle of press whose questions revolved around two themes—how do you feel to be here and tell us what you are wearing. The celebrities, mostly soap opera stars, had the generic attractiveness found on movie and television screens, some of it clearly enhanced through surgery and injections, and the bubbly effervescence we expect from entertainers.
“I dreamt about coming here as a little kid and now here I am,” Ross Mathews, a judge on RuPaul’s “Drag Race,” told Red Carpet TV. “I get to present tonight. Best game show. This is a moment, a day, I’ll never forget.”
I looked at the reporters and television crews behind the rope that stretched the length of the carpet and wondered what the ratio is between reporters in the United States who cover entertainment and fashion and reporters who cover the poor. I’m sure it is a bleak statistic.
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Then we were hectored into the neighboring Pasadena Civic Auditorium by frequent public address announcements that counted down the minutes until the show began. We took our seats. The lights dimmed. The awards ceremony started.
“I’m definitely feeling the love right now,” Mario Lopez, a host of “Extra,” said to his Emmy co-host, the comedian Sheryl Underwood. “Are you feeling the love, Sheryl?”
“I’d like to feel the love, Mario,” Underwood, a host on “The Talk,” said. “What are you doing after the show?”
“Let’s talk about that later,” he answered.
“What do I have to do?” she asked. “Buy your wife a refrigerator?”
This kind of banter, usually with a much older man making sexual overtures to a young woman, is classic vaudeville. In an age of gender equality, it was updated for a 53-year-old woman and a man 10 years her junior. Underwood told Lopez he might be tied up with his own tie later.
“Is he gorgeous or what, ladies?” she asked. The audience cheered.
“Twitter is my second home,” she said. “My Twitter handle is @sherylunderwood. I have close to 1 million followers. How many do you have, Mario?”
“I’m not a big social media person,” he replied. “But I think the last time I checked I have around 1.3 million followers on Twitter.”
“You just had to brag,” she said. “I need to get me more Twitter followers. Step aside, Mario. I need to beg. I need everyone watching to follow me @sherylunderwood. Follow me right now. I need you to follow me. By the time this show is over, we’ll see who has the most followers. In fact, Mario, let’s make a deal. Whoever has the most followers at the end of the show has to have sex with the one who has the least. That’s a win-win for me either way. And let me tell you, Mario, there’s not enough baby oil in Pasadena for what’s going to happen to you tonight.”
This one joke conceit dominated the night.
The awards were handed out by guest presenters, and the announcement of each winner was preceded by a video clip, viewed on an overhead screen, that featured the nominated show or person.
The clips were saturated with melodrama. Hunter King’s character in “The Young and the Restless” was shown by her mother’s hospital bed.
“I love you, Mom,” she said.
The heart rate monitor made a high-pitched “flat-line” beep.
“Mom? Mom? Mom, can you hear me?” she screamed.
The flat-line beep continued.
“Mom, you can’t, you cannot leave me. Do you hear me? Please!”
Chloe Lanier from “General Hospital” was shown sitting naked in a bed. Her chest was covered with a comforter. She was talking to a man standing on the other side of the room.
“Please,” she implored him, “you cannot tell Carly about any of this. I do not want her to look at me differently.” She began to cry. “Please, I am begging you. You cannot tell her!” She slammed her fist on the mattress.
Lexi Ainsworth from “General Hospital” was up for outstanding younger actress, and in her clip her character asked her father, played by Maurice Benard, if he could accept having “a gay daughter,” and he said, “Of course, no question,” which given the current political climate is better than the alternative.
In the best game show category there were clips of Steve Harvey on “Family Feud” singing and dancing with a tambourine and a man screaming and jumping up and down on “The Price Is Right” as “$25,000” was displayed in large, red characters. The man fell to his knees and hugged the game show host.
At one point in the Emmy show, Lopez stopped and looked upward. “I’m sorry there seems to be a bit of commotion on the balcony,” he said. “Fans are … wait a minute. Sheryl? What are you doing?”
The camera showed Underwood standing in the balcony.
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