May 20, 2013
The Terror America Wrought
Posted on Aug 7, 2007
During a week of mayhem in Iraq, in which terrorists have rightly been condemned for targeting schoolchildren, it is sobering to recall that this week is also the 62nd anniversary of a U.S. attack that deliberately took the lives of thousands of children on their way to school in the Japanese cities of Hiroshima and Nagasaki. As noted in the Strategic Bombing Survey conducted at President Harry Truman’s request, when the bomb hit Hiroshima on April 6, 1945, “nearly all the school children ... were at work in the open,” to be exploded, irradiated or incinerated in the perfect firestorm that the planners back at the University of California-run Los Alamos lab had envisioned for the bomb’s maximum psychological impact.
The terror plot worked all too well, as Hiroshima’s Mayor Tadatoshi Akiba recalled this week: “That fateful summer, 8:15 a.m. The roar of a B-29 breaks the morning calm. A parachute opens in the blue sky. Then suddenly, a flash, an enormous blast—silence—hell on Earth. The eyes of young girls watching the parachute were melted. Their faces became giant charred blisters. The skin of people seeking help dangled from their fingernails. ... Others died when their eyeballs and internal organs burst from their bodies—Hiroshima was a hell where those who somehow survived envied the dead.”
Like most of the others killed by the two American bombs, neither the children nor the adults had any role in Japan’s decision to go to war, but they were picked as the target instead of an isolated but fortified military base whose antiaircraft fire posed a higher risk. The target preferred by U.S. atomic scientists—a patch in the ocean or unpopulated terrain—was rejected, because the effect of hundreds of thousands of civilians dying would be all the more dramatic.
The victims in Hiroshima and Nagasaki were available soft targets, much like the children playing in Iraq, suddenly caught in the crossfire of battles waged beyond their control. In “White Light/Black Rain,” a devastating HBO documentary released this week, there is an interview with the sole survivor of a Japanese elementary school of 620 students. The murder of the other 619, and the 370,000 overall deaths attributed to the bombings, 85 percent of which were civilian deaths, has never compelled a widespread examination of the “end justifies the means” morality of our own state-sanctioned acts of terror. Indeed, the horrifying footage taken by Japanese and American cameramen soon after the devastation, and shown in the HBO film, was long kept secret by the U.S. government for fear that an informed American public might question this nation’s incipient nuclear arms race.
Just exactly what distinguishes the United States’ use of the ever-so-cutely-named “Fat Man” and “Little Boy” atomic bombs on cities in Japan from the car bombs of Baghdad or the planes that smashed into the World Trade Center? To even raise the question, as was found in one recent university case, can be a career-ending move.
The subsequent release of formerly secret documents makes a hash of Truman’s rationalization. His White House was fully informed that the Japanese were on the verge of collapse, and their surrender was made all the more likely by the Soviets’ imminent entry into the fight.
At most, the Japanese were asking for the face-saving gesture of retaining their emperor, and even that modest demand would likely have been abandoned with the shift of massive numbers of Allied troops and firepower from the battlefront of a defeated Germany to a confrontation with its deeply wounded Asian ally. Instead, the U.S. played midwife to the birth of the nuclear monster, the ultimate terrorist weapon that presents a continuing and growing threat to the survival of human life on Earth.
This is a lesson to be pondered at a time when President Bush plays power games with a nuclear-equipped Russia while coddling Pakistan, the main proliferator of nuclear weapons to rogue regimes, and Congress authorizes an expansion of the U.S. nuclear program to better fight the war on terror by “improving” the ultimate weapon of terror, which the U.S. alone stands guilty of using.
For a fuller explanation of the suppression of footage taken shortly after the Hiroshima and Nagasaki attacks, follow this link.
Click here to go to HBO’s site for “White Light/Black Rain.”
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