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Reports

Jabari Asim: Lyrics Rated M, for Murderous

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Posted on Dec 25, 2006

By Jabari Asim

WASHINGTON—Rap lyrics stole much of the spotlight during the recent capital murder trial of Ronell Wilson, a 24-year-old Staten Island native also known as “Rated R.” Wilson stood accused of killing two New York undercover detectives, James V. Nemorin and Rodney J. Andrews, in March 2003.

Prosecutors argued that the scribbled lyrics found in Wilson’s pocket soon after the deaths of the officers were evidence of his guilt. But other evidence—which didn’t receive as much attention as the defendant’s half-baked rhymes—did more to persuade the jury. That evidence included eyewitness testimony, DNA findings, video and audio surveillance footage and the opinions of scientific experts.  Wilson was found guilty of 10 crimes in all, several of them punishable by death. The death penalty phase of his trial begins Jan. 10.

Still, prosecutors and the media made much of Wilson’s lyrics, which make the Black Eyed Peas sound like Langston Hughes. A sample for your delectation: “Leave a 45 slugs in da back of ya head. Cause I’m gettin dat bread / aint’ goin stop to I’m dead.’‘

To prosecutors, the words were a confession, a revelatory window into the fevered mind of a coldblooded murderer. To me, they resembled a cut-rate rip-off of the Notorious B.I.G.‘s 1994 hit “Ready to Die”: “As I grab the glock, put it to your headpiece / One in the chamber, the safety is off release / straight at your dome homes, I wanna see cabbage.”

The B.I.G. went on to rhyme “cabbage’’ with “brain damage” before announcing that, like Rated R, he was fully prepared to shuffle off this mortal coil. 

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The defense team was not allowed to place a rap expert on the stand. But such an expert might have pointed out that Rated R’s lyrics were not only predictable but derivative too.

The use of hip-hop lyrics in trials is not new, as George Washington University law professor Paul Butler and others have pointed out. Still, the courts remain somewhat baffled as to how to regard them. Are they straight-up autobiography or merely macho fantasies?

Two Live Crew’s obscenity trial in Florida in October 1990 may have been the first high-profile courtroom drama involving rap lyrics. In that case, Henry Louis Gates Jr., a well-known black scholar, testified that the trio’s lyrics were part of a lengthy tradition and not meant to be taken seriously. “It’s a way the black people could fight against the oppression of their white masters,” he said. “They would mock each other to release anger and tension.”

That explanation shed little light on how the group’s persistent, gleefully vulgar mockery of women amounted to resistance to white oppression. But that was not a question the mostly white jury needed to wrestle with. For their part, jurors expressed little difficulty with the Crew’s lyrics. “Those were their songs. They were doing their poetry in song,’’ said a 65-year-old juror who voted quickly for acquittal.

Her very charitable assessment will have to go unchallenged here, because it is almost impossible to refute without quoting from the lyrics… .

The stakes were starker and higher in Wilson’s trial. Ultimately, this was no showdown over naughty words or celebrations of strip-club hedonism but a murder case involving the deaths of two brave, hardworking family men. And the fascination with the killer’s lyrics threatened to overshadow all that.

Nemorin was 36 and a married father of three. Andrews was 34 and a divorced father of two. Shortly after New York police killed 23-year-old Sean Bell, an unarmed black man, in a hail of bullets, at least one rapper took to the airwaves to offer musical tribute to the victim’s tragically brief life. It takes nothing away from Bell to ask where all the rappers are now, and to wonder who will offer rhymes in memory of two brave police officers who also died way too young.
   
Jabari Asim’s e-mail address is asimj(at symbol)washpost.com.
   
Copyright 2006, The Washington Post Writers Group


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By David, December 29, 2006 at 8:46 am Link to this comment
(Unregistered commenter)

Amos Hart,

I see your point, and agree with you to the extent that such stories as those in the Bible would be helpful in teaching morality, ethics and love for one’s self, others and environment.  If the Bible were interpreted by the masses in the allagorical spirit it was written, yes, I too would be a proponent of using those stories. Unfortunately, the true esoteric meanings woven into these stories have been lost, buried and misconstrued by the true pimps and whores of history who, in their lust for power over men’s minds & souls, promulgated versions & meanings suited to their own ends.  All that remains today (for the most part) are pagans who worship the literal stories, just as those those in ancient times worshiped the physical sun, moon & stars. Keep in mind that science only answers the particular “How?” and never the universal “why?”.

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By amos_hart, December 28, 2006 at 10:21 pm Link to this comment
(Unregistered commenter)

Chaseme:
I see you did get your “education” at Columbia. You obviously listen to the Greatest Hits of the 19th Century and that old favorite, the Karl Marx Shuffle. Get a clue. The problem isn’t corporations or the media. It’s the people that run them, just as the problem with North Korea is the jerk that runs it. Go from capitalism to communism, or vice versa, and you still have corruption. What’s the common denominator? People. Either we have a long way to go on the ladder of evolution or there has to be another answer. Political change ain’t it.

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By Chaseme, December 28, 2006 at 9:32 pm Link to this comment
(Unregistered commenter)

Police too are listening to songs with the same lyrics. Do we blame lyrics when police “bust a cap” in innocent civilians? Do we blame lyrics when soldiers listen to “the roof is on fire, we don’t need no water let the MF burn” as they fire on innocent civilians in Iraq? Why is it the small people who seem to get hideous amounts of blame for their attempt to deal with the repulsive environments corporations create?

And, why is it that a lot of small people simply don’t have the courage or balls if you will, to stand up against corporations and their rape and torture of our environment, cultures and our futures? Are money, cars and clothes that important to us? These are the same corporations that influenced and encouraged this fictitious war in Iraq, for profit. These are the same corporations that created ghettos, for profit. These are the same corporations that promote the false consciousness of Americans through sports, which teaches militarism, sexism, authoritarianism and racism. These are the same corporations that promote the propaganda of death and destruction, emanating ceaselessly from the mass media, adding to the prevailing atmosphere of insecurity. Through our insecurities, the future becomes completely unpredictable. We have a sense of living in a world in which the past holds out no guidance to the present and immediate gratification holds no consequences.

If the courts are right, then there are consequences that derive from the music we listen to. In that case, what kind of music are they listening to? What kind of music is the bush administration listening to? What kind of music do corporate CEOs listen to? What kind of music does people like Ann Coulter listens to? Imagine that?

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By amos_hart, December 28, 2006 at 6:39 pm Link to this comment
(Unregistered commenter)

Hey, David, didn’t you know? Rappers and their pimps in the music industry are just products of purposeless, mindless evolution. They’re just tring to surive. What do honor, beauty, and nobility have to do with survival? Besides, those things are just in the eye of the beholder. In the rap culture, rape, murder, and mayhem are the preferred means of artistic expression. Honor, beauty, and nobility are just decadent Western values arising from religious myth and superstition. Your attitude is quite retro, my friend. Take some college courses at Columbia. Those profs will get your head straight faster than you can say Karl Marx. Yes, David, you too can be a rich and famous degenerate. All you have to do is convince yourself that you evolved from slime and are headed for oblivion. In that light, nothing really matters, does it?

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By mohamed, December 28, 2006 at 1:38 pm Link to this comment
(Unregistered commenter)

Bad music is just as influential as good music.

When was the last time you saw people listening to ‘good’ music kissing and hugging along the way?

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By David, December 27, 2006 at 3:24 pm Link to this comment
(Unregistered commenter)

I think gangster rap lyrics and the lifestyles it promotes are extremely harmful to any society at large and inparticular, to influential individual - i.e teenagers.  Black, white, asian, hispanic…I have seen countless kids, middle class, rich, poor - whatever - trying to imitate them in thought and action.  Drugs, guns, and money. 

But art imitates life and vice versa.  The ghetto culture has infiltrated the burbs and the gated communities without being given so much as a billy club upside the head.  It has as a result, inadvertently, taken its revenge on its white oppressors. 

The ghetto is a product of racism and oppression, and desparate people do desparated things.  You can’t ask them to live the life they do and then shut up about it.  Song and poetry have always been the deepest forms of expressing one’s pain.  The problem is the media has made them the rock stars of the modern day.  The media, in their rush to make a buck, threw morality, judgement, and social responsibility out the window and made mega stars out of diseased, victimized & criminal minds, glamorized the culture and mass marketed it to teenagers.  Rock n roll was dangerous.  Can’t get much more dangerous than blowin someone else’s brains out over a dis!  Top that Elvis!

I’d never suggest censorship, and can’t blame the music industry for maximizing their profits (however selfish and irresponsible they may be)  The only solution to offer is improving the ability of those in the ghetto to earn a respectable, legitimate living, and disseminating honorable, beautiful, nobel stories and ideals to our youth.

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By rowdy, December 26, 2006 at 10:07 pm Link to this comment
(Unregistered commenter)

“undercover” cops deserve no sympathy. they operate as secret police, like the kind we believe fascist governments use. this country is rampant with disgusting people hiding behind a badge. if they die doing whatever it is they do they deserve to be dead,hopefully many more will follow. the only good cop is a dead one.

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By amos_hart, December 26, 2006 at 6:23 pm Link to this comment
(Unregistered commenter)

Cry against oppression my ass. Rap lyrics are a direct window into the shrunken souls of pimps, murderers, rapists, and assorted degenerates. They are, if anything, a cry against morality, decency and responsibility. To hell with it and those who promote and profit from it.

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By Clifton Mitchell, December 26, 2006 at 8:22 am Link to this comment
(Unregistered commenter)

RE:  BIG’s 1994 hit “Ready To Die.”  “As I grab the glock (sic), put it to your headpiece/One in the chamber, the safety is off release….”

From the “Glock Instructions For Use Manual: ” The Glock has no conventional, externally-located safety lever.  The safety is incorporated into the trigger in the form of a lever, and in the untouched state blocks the trigger from being moved backwards.  The Safe-Action trigger system offers the shooter the best possibility of getting off every shot quickly and without having to operate external safety devices.

I remember seeing a video of the BATF/FBI assault on the Branch Davidian Compound, where it shows one of the Agents climbing a ladder while attempting to remove his Glock from the holster.  In the process he accidently pulled the trigger and shot himself in the leg.  I thought it was hilarious. 

The moral of this story is never pemit savages or federal agents to carry firearms.

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By Offda Pig, December 26, 2006 at 8:13 am Link to this comment
(Unregistered commenter)

Uh, could someone get the cluephone to Asim? The reason why nobody mourns two dead pigs is because the pigs are nothing but murderers, thieves and liars. The pigs not only killed Sean Bell, but critically injured two of his friends. Afterwards, not only were these murderous pigs *not* put into handcuffs and given swift justice, but walked free as Sean Bell’s corpse and his two living friends *were* put into cuffs.

This case shows exactly why the pigs cannot and will not be shown ANY MERCY whatsoever, by ANYONE. Because when cops break the law, THERE IS NO LAW—only a fight for survival. It is the pigs or us, and I say the pigs have got to go.

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