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Ear to the Ground

WGA Strikers to Return to the Table Nov. 26

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Posted on Nov 17, 2007
strike phone
AP photo / Damian Dovarganes

Phoning it in:  A striking writer in Burbank, Calif., shows her solidarity with fellow WGA members with a scrolling “strike” text on her iPhone.

An end may be in sight for striking television and film writers and their studio bosses if negotiations, now set to resume Nov. 26, are effective.  However, WGA West President Patric Verrone cautioned union members to stand their ground in an e-mail titled “Don’t Break Out the Champagne Just Yet.”


AP via Huffington Post:

Some writers applauded the decision to return to talks.

“That’s fabulous, that’s great,” said Sean Jablonski, a writer for the FX drama “Nip/Tuck.” “You can’t get a deal until two sides sit down and talk about it.”

“It’s a good message to hear around the holidays,” he said.

At the core of the contract dispute is compensation for shows offered on the Internet—a medium that appeals to a number of tech-savvy, young assistants who aspire to create their own online programming and want a piece of the profits.

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By RAE, November 20, 2007 at 3:26 pm #

I meant, “Retroactive should NOT be allowed.”

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By RAE, November 19, 2007 at 8:36 am #

Paracelsus: “We would have Westerns where cowboys would have moral dilemmas over barbecued beef, and man’s best friend.”

...and (gasp), EACH OTHER (a la Brokeback Mountain).

............

Further to a previous posting of mine…

In my view, to go on strike is to signal the world the FAILURE OF BOTH PARTIES to find a reasonable, sensisble solution. It’s a clear sign of IMMATURITY… “I won’t play unless I have it MY WAY.”

That’s why, since those involved are essentially immature, greedy people whose mantra is MORE, MORE, MORE, I suggested that NOBODY get paid until a contract is signed… not the workers, not the management, and not the union negotiators. I would only pay for SUCCESS, not FAILURE.

And since MONEY is the most powerful influence in today’s adolescent society once those involved realize they won’t be getting any loot until the contract is signed, that contract will be signed come hell or high water LONG BEFORE the old one expires.

No contract? NO MONEY FOR ANYONE. (And “retroactive” should be outlawed.)

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By Paracelsus, November 18, 2007 at 5:39 pm #

I just a terrible idea. What if they outsourced the writing to India? Imagine how awful the production values would be. What a cross cultural cock-up! We would have Westerns where cowboys would have moral dilemmas over barbecued beef, and man’s best friend.

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By RAE, November 18, 2007 at 10:05 am #

I’ve long though I have the solution to strikes… it’s so simple, I guess I must be missing something.

From the moment a strike gets called, NOBODY GETS PAID.

That INCLUDES the WORKERS, MANAGEMENT and NEGOTIATORS on both sides - company and union.

I wonder how long a strike would last if those sitting around the negotiating tables weren’t getting paid a cent until the contract was settled.

I’d make it law. No scabs. No production. No pay for anyone connected with the dispute while the strike was in effect. I’d bet a year’s pension that damn near ALL contracts would be negotiated successfully LONG BEFORE THE OLD CONTRACTS RAN OUT.

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By Conservative Yankee, November 18, 2007 at 5:14 am #
(Unregistered commenter)

“An end may be in sight for striking television and film writers and their studio bosses if”

...and I should care because???

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By GW=MCHammered, November 17, 2007 at 10:31 pm #
(Unregistered commenter)

For every one that gets a paycheck in Hwood, there are thousands that have tried. And some very deserved, yet never rewarded. For those that write on staff, pay up SOB elites. The writers deserve it and if not for your dollar/power addiction, they would have it. Quit stiffing your PAYING audience!

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