Swedish filmmaker Ingmar Bergman, who burst upon the ‘50s cinema scene with films like “Wild Strawberries” and “The Seventh Seal” and went on to become one of the world’s most highly acclaimed auteurs, died Monday on the Baltic island of Faro at age 89.
New York Times:
Mr. Bergman dealt with pain and torment, desire and religion, evil and love; in Mr. Bergman’s films, “this world is a place where faith is tenuous; communication, elusive; and self-knowledge, illusory,” Michiko Kakutani wrote in The New York Times Magazine in a profile of the director. God is either silent or malevolent; men and women are creatures and prisoners of their desires.
For many filmgoers and critics, it was Mr. Bergman more than any other director who in the 1950s brought a new seriousness to film making.