Throwing Up for Peace

Posted on Apr 2, 2012

Mr. Fish

By Mr. Fish

(Page 2)

“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up.”—James Baldwin

Food poisoning, when you’re ululating in fever at the center of its acidic fire, can feel incurable and as intractable and capricious as mental illness. Susan Sontag said in her book, “Illness as Metaphor,” “Any important disease whose causality is murky, and for which treatment is ineffectual, tends to be awash in significance.” Eight hours after wiping what I could only hope was lemon-dill mayo off my lips with a paper napkin, I was lying on my bed in nothing but my underpants, with pen and notebook in hand, feeling like Friedrich Nietzsche struggling through the cacophonous fog of tertiary syphilis to articulate the meaning of all human existence, the world’s collective ear cocked hard in my direction, my will to live as dubious as a flame on a wick slowly capsizing in wax.

“There is a difference between taking a step backward from the edge of a cliff and turning around and taking a step forward,” I wrote, then took a break to puke from every orifice. “No one who’s ever died on a battlefield has complained about the experience afterwards,” I wrote. Then I threw up—and down!—again.

Of course, what the Emerson quote hadn’t considered was that some things in life—perhaps most things—are just too small for anybody to see with the naked eye and, therefore, by belonging to no one in particular, end up belonging to everybody in general, for better or for worse. Things like Escherichia coli, for instance, which will reveal itself only once it is accompanied by explosive diarrhea and vomiting after being delivered by way of a toasted sourdough, avocado and kitty litter sandwich. And then there are the invisible things that are invisible because they are conceptual and non-corporeal. They are things such as faith and patriotism and love and prejudice, each requiring its own unique version of explosive diarrhea and vomiting to make itself real in the world. In other words, while nature and books surely belong to the eyes that see them, it is the physiological response that they invoke when processed by the rest of the body that creates the real-world ramifications that end up belonging to everybody else. Sure, the knuckleheaded hipster who made my sandwich had a right to define for himself what wicked-coolness was, but once that idea was processed by his eyes and eventually found manifestation in the hands that he used to make my sandwich with—hands, apparently, too enamored with Goth Almighty to at least shoo Princess Analingus off the goddamn cutting board—then his wicked-coolness became just another disruptive anomaly there to complicate the trajectory of my own wicked-coolness, which was always looking for the straightest path possible upon which to guide itself, unmolested.

“A principle is the expression of perfection, and as imperfect beings like us cannot practice perfection, we devise every moment limits of its compromise in practice.”—Mahatma Gandhi

Eventually, of course, I felt better and, within 24 hours of puking the guts of my guts out, I made plans to return to the ground zero of my agony, not because I wanted to contract another foodborne illness, the symptoms of which I was already beginning to forget, but because I liked believing that veganism was a noble antidote to the gargantuan holocaust that so many of our tastier animals were forced to endure. It didn’t matter that the cafe was a bit of a drive. The extra gas, I figured, was well worth it.

So, like Jesus Helluvaguy Christ, himself, I graciously forgave my tormentors and blessed the shortcomings of my brothers and sisters and resumed my life as an editorial cartoonist paid to complain about shit, a self-proclaimed accuser who was daring enough to reach through the two-dimensionality of his own mirror and taunt Armageddon through the bars of a cage that recognized the savagery contained on both sides of the barrier—all the while secretly worrying that most people prefer kindness to hate, nonviolence to violence, not because they’re virtuous or reliably humane, but because they’re too lazy to devote themselves to the rigorous calisthenics necessary to pull off the most gruesome doomsday imaginable.

 

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