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Los Angeles Noir

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Posted on Oct 5, 2011

Ry Cooder talks about select tracks from his new album, “Pull Up Some Dust and Sit Down,” as well as his musical and political influences, with Truthdig’s editors here.

* * *

Excerpted from “Los Angeles Stories” by Ry Cooder.

 

Kill me, por favor
1952

We had three weeks’ work at a combination bowling alley and cocktail lounge in downtown Kingman, Arizona. Harry Spivak was the contractor and also the manager. That’s technically in violation, since contractors are supposed to be players, not managers. It’s a conflict of interest, but you got to put beans in the pot. Our previous engagement didn’t pan out so well. I had to leave a good overcoat behind, and a good overcoat is sometimes hard to find, particularly if the salesman’s got a suspicious attitude. So, there we were, in Kingman, not a very fast-stepping town. My partner’s name was Ramon Sanchez, but he called himself Smokey Ray Saunders on these dance-band jobs. I go by the name of Al Maphis, but I use my given name, Alphonso Mephisto, if we work jobs on the Mexican side of town. Smokey is a bass player and I’m a drummer, so we find it convenient to contract out as a unit. I don’t like to say two for the price of one, which is a violation, but you got to eat.

We found the last room in town, plunked down twenty dollars apiece for the week, and climbed the well­worn stairs to wash up before going to work.

Hanging alongside the rusty bowl was a single towel—one towel and two guys to share it. I grabbed it, ran downstairs, waved it in the landlady’s face, and demanded, “How come?”

“One towel to a room,” she replied. “That’s all my boarders get and you ain’t no better. You ought to mind your manners and thank me.”

“Thank you for what?” I asked.

“You behave or I’ll have my husband throw you out. He won’t like it that a Mex tried to pass, I run a clean place.”

It’s true. I have Spanish blood on my mother’s side. So do half the people in Tulsa, Oklahoma. I smiled my best musician’s smile and said, “Ma’am, you are entirely right. Being half­Mexican myself, I know what it is you are afraid of. It’s easy for a Mexican to take a life, I’ve heard them say they enjoy it, and that’s why they like the knife; it gives pleasure. I have tried to better myself, but the urge to kill is strong, and one never knows. ‘Que será, será,’ as my mother used to say. Ramon, he’s never even seen a toilet before. Pobrecito!”

 

book cover

 

Los Angeles Stories

 

By Ry Cooder

 

City Lights Publishers, 224 pages

 

Buy the book

 

If you get a job call at a bowling alley, take my advice and skip town. The noise is going to mess up your rhythm and concentration worse than plain drunks. But three weeks is three weeks. We set up and got going around six in the evening. Two trumpets, two trombones, tenor and alto, guitar, Smokey, and myself. All good union men and very copasetic.

I counted three couples on the dance floor and five people over at the bowling lanes. The dancers were on their way to being drunk, and the bowlers were already drunk, whooping and hollering every time they hit a pin. Harry Spivak passed out charts, and it was all standards, so I could get some sleep on the stand. The trick is to keep smiling. A girl wanted to hear “Sweet Lorraine,” since her name was Lorraine, so we obliged. After three renditions, a man started a fracas on the dance floor, complaining that he was sick and tired of the same damn song, and play something else. Lorraine’s boyfriend invited him to step outside and say that again, which he did. Spivak called intermission.

Smokey and I sat in the car and had a little drink and a smoke. “This dirty towel business has got me thinking,” I said. “Suppose there was a trailer, a big trailer, but made specially for traveling men like ourselves. We could operate the thing and rent bunk space out to the guys we were working with and have a nice place to sleep and all the clean towels we want.”

“I want pussy,” Smokey said.

“All it takes is cash,” I said.

The next day I found a trailer dealer in town. I asked him some questions, and at first he scoffed at the idea of a roving boardinghouse. Finally he said I should draw up my plans, submit them to a trailer manufacturer in Chicago, and sit back and wait. I’d either get a horse­laugh for a reply or maybe one of the most unusual stables on wheels.

Next, I visited a local banker who luckily was sympathetic to trailers. He said he didn’t see any reason why I couldn’t get a loan, provided I could show good credit, a permanent address, reputable job, and good references—that being a white man to sign for the collateral.

Out on the main drag, I thought, now what? The trailer idea had a hold of my mind, and I couldn’t let a little thing like money hold me back. “One monkey don’t stop my show,” I told Smokey.

Our landlady’s husband had notified us that we weren’t welcome around there. I made the point that these older wooden structures like his were highly combustible, which brought his way of thinking around to refunding us the whole forty dollars plus a little extra for good fellowship.

The Buick had been our home often enough. I bought it from the wife of an evangelist, a professional man on his way to the Texas State Penitentiary. It was a 1938 seven-passenger with the backseats removed. The blessed reverend had it equipped with a bed, a collapsible ironing board and electric iron, a marine toilet and sink, and an exterior shower nozzle supplied from a forty-gallon water tank mounted on the roof. As you might know, a musician often finds himself compelled to go straight from the street to the stage with no access to facilities, and a man looking at a matinee and two evening shows needs a place to take a crap, wash up, and press his pants. Some of these dance joints don’t have a backstage, let alone backstage plumbing, and oftentimes the management doesn’t like the help to mix with the customers, as if it lowers the tone to have to piss alongside a drummer.

All the towns along Highway 66 are laid out identically. Whites on the north side, coloreds to the south, the highway up the middle. We found a little tamale joint on the dark side of town called Berta’s Pollo Encantado. Smokey dug Berta; she was fat and soft like yesterday’s bacon sandwich. Not my favorite dish, but I’ll take it as I find it.

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