March 3, 2015
Book Excerpt: ‘Empire of Illusion’
Posted on Jul 30, 2009
By Chris Hedges
Read this brilliant and humorous chapter from Chris Hedges’ new book and marvel as the Pulitzer Prize-winning war correspondent makes sense of reality television.
Adapted from “Empire of Illusion: The End of Literacy and the Triumph of Spectacle,” available from Nation Books, a member of the Perseus Books Group. Copyright © 2009.
Celebrity worship banishes reality. And this adulation is pervasive. It is dressed up in the language of the Christian Right, which builds around its leaders, people like Pat Robertson or Joel Olsteen, the aura of stardom, fame and celebrity power. These Christian celebrities travel in private jets and limousines. They are surrounded by retinues of bodyguards, have television programs where they cultivate the same false intimacy with the audience, and, like all successful celebrities, amass personal fortunes. The frenzy around political messiahs, or the devotion of millions of women to Oprah Winfrey, is all part of the yearning to see ourselves in those we worship. We seek to be like them. We seek to make them like us. If Jesus and The Purpose Driven Life won’t make us a celebrity, then Tony Robbins or positive psychologists or reality television will. We are waiting for our cue to walk onstage and be admired and envied, to become known and celebrated.
Empire of Illusion: The End of Literacy and the Triumph of Spectacle
By Chris Hedges
Nation Books, 240 pages
We pay a variety of lifestyle advisers—Neal Gabler calls them “essentially drama coaches”—to help us look and feel like celebrities, to build around us the set for the movie of our own life. Martha Stewart built her financial empire, when she wasn’t insider trading, telling women how to create and decorate a set design for the perfect home. The realities within the home, the actual family relationships, are never addressed. Appearances make everything whole. Plastic surgeons, fitness gurus, diet doctors, therapists, life coaches, interior designers, and fashion consultants all, in essence, promise to make us happy, to make us celebrities. And happiness comes, we are assured, with we look and how we present ourselves to others. There are glossy magazines like Town & Country which cater to the absurd pretensions of the very rich to be celebrities. They are photographed in expensive designer clothing inside the lavishly decorated set-pieces that are their homes. The route to happiness is bound up in how skillfully we show ourselves to the world. We not only have to conform to the dictates of this manufactured vision, but we also have to project an unrelenting optimism and happiness.
The Swan was a Fox reality makeover show. The title of the series referred to Hans Christian Andersen’s fairy tale “The Ugly Duckling,” in which a bird thought to be homely grew up and became a swan. “Unattractive” women were chosen to undergo three months of extensive plastic surgery, physical training, and therapy for a “complete life transformation.” Each episode featured two “ugly ducklings” who compete with each other to go on to the Swan beauty pageant. “I am going to be a new person,” said one contestant in the opening credits.
In one episode, Cristina, twenty-seven, an Ecuador-born office administrator from Rancho Cordova, California, was chosen to be on the program.
“It’s not just the outside I want to change, but it’s the inside, too,” Cristina told the camera mournfully. She had long black hair and light brown skin. She wore baggy gray sweatshirts and no makeup. Her hair was pulled back. We discovered that she was devastatingly insecure about being intimate with her husband because of her post-pregnancy stretch marks. The couple considered divorce.
“I just want to be, not a completely different person, but I want to be a better Cristina,” she said.
As a “dream team” of plastic surgeons discussed the necessary corrections, viewers saw a still image of Cristina, in a gray cotton bra and underwear, superimposed on a glowing blue grid. Her small, drooping breasts, wrinkled stomach, and fleshy thighs were apparent. A schematic figure of an idealized female form revolved at the left of the screen. Crosshairs targeted and zoomed in on each flawed area of Cristina’s face and body. The surgical procedures she would undergo were typed out beside each body part. Brow lift, eye lift, nose job, liposuction of chin and cheeks, dermatologist visits, collagen injections, LASIK eye surgery, tummy tuck, breast augmentation, liposuction of thighs, dental bleaching, full dental veneers, gum tissue recontouring, a 1,200-calorie daily diet, 120 hours in the gym, weekly therapy, and coaching. The effect was suggestive of a military operation. The image of a blueprint and crosshairs was used repeatedly through the program.
Cristina was shown writing in her diary: “I want a divorce because I think that my husband can do better without me. And it would be best for us to go in different directions. I am not happy with myself at all, so I think, why make this guy unhappy for the rest of his life?”
At the end of the three months, Cristina and her opponent, Kristy, were finally allowed to look in a mirror for “the final reveal.” They were brought separately to what looked like a marble hotel foyer. Curving twin staircases with ornate iron banisters framed the action. A crystal chandelier glittered at the top of the stairs. Sconces and oil paintings in gold frames hung on the cream-colored walls.
The “dream team” was assembled in the marble lobby. Massive peach curtains obscured one wall.
“I think Cristina has really grown into herself as a woman, and she’s ready to go back home and start her marriage all over again,” said the team therapist.
Two men in tuxedos opened a set of tall double doors. Cristina entered in a tight black evening gown and long black gloves. She was meticulously made up, and her hair had been carefully styled with extensions. The “dream team” burst into applause and whoops.
“I’ve been waiting twenty-seven years for this day,” Cristina told host Amanda Byram tearfully. “I came for a dream, the American dream, like all the Latinas do, and I got it!”
“You got it!” cheered Byram. “Yes, you did!”
Reverberating drumbeats were heard. “Behind that curtain,” says Byram, “is a mirror. We will draw back the curtain, the mirror will be revealed, and you will see yourself for the first time in three months. Cristina, step up to the curtain.”
Short, suspenseful cello strokes were heard. There was a tumbling drumroll.
“I’m ready,” quavered Cristina.
The curtain parted slowly in the middle. An elaborate full-length mirror reflected Cristina. The cello strokes billowed into the Swan theme song.
“Oh, my God!” she gasped, covering her face. She doubled over. Her knees buckled. She almost hit the floor. “I am so beautiful!!!” she sobbed. “Thank you, oh, thank you so much!! Thank you, God!! Thank you, thank you, thank you so much for this!! Look at my arms, my figure … I love the dress! Thank you, oh!! I’m in love with myself!”
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