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Arts and Culture

‘Twitter Effect’ Hits Hollywood

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Posted on Jul 10, 2009
Twitter theater
Composite image: Kleininstruments.com, twitter.com

The time frame for projecting the success or failure of a newly released film has already been compressed to the point of asphyxiation, thanks to the Internet, but with the popularity of social networking services like Twitter, the window of box office opportunity has become even shorter, according to The Wrap’s Sharon Waxman.

The Wrap:

The rise of social networking, studio executives say, is driving a near-instantaneous word of mouth effect that is doing much to hyper-charge Hollywood’s multi-million-dollar marketing efforts…or to defeat them a lot faster than usual.

A movie like “Up,” for example, had Disney executives surprised at its opening weekend success, which outstripped projections and brought in $68 million domestically.

Studio tracking did not indicate that the movie would have strong appeal to adults without children, one executive said, but by Saturday exhibitors were noting that that exact demographic was going to the movie.

“It’s a new phenomenon and we’re really seeing it this summer,” said Dick Cook, the chairman of Walt Disney Studios. “Clearly there’s a Twitter effect.”

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chaztv's avatar

By chaztv, July 17, 2009 at 3:25 pm Link to this comment

Bruno drops 37% from opening night to the next based on bad IM’s.

I love it.  Hollywood now doesn’t get even a weekend to recoup on a stinker.  Message: Start making good films; accept lower gross sales and profits for now until you cultivate (read: convince) more discriminating audiences you can be trusted.

Okay, yeah, this will never happen.  They didn’t think UP would appeal to adults.  What a bunch of bone heads.

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By boggs, July 11, 2009 at 5:20 am Link to this comment

I’m twittering for the new Michael Moore Documentary,
“Capitalism: The Love Story”.
Betcha it’ll be an award winner.

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By Michael Markman, July 11, 2009 at 2:45 am Link to this comment
(Unregistered commenter)

“Up” is a A movie whose main character is an adult without children, and the studio marketing folks don’t think it will appeal to adults without children? Hmm.

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