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The Great ForgettingPosted on Oct 5, 2007
By Eunice Wong The Smithsonian National Museum of the American Indian, located on the Mall in Washington, D.C., is a monument to historical amnesia. The blond limestone building, surrounded by indigenous crops of corn, tobacco and squash, invites visitors on a guilt-free, theme park tour of Native American history, where acknowledgment of the American genocide is in extremely bad taste. The beauty of the architecture and landscaping conceals the hollowness of the enterprise. The first two floors of the four-story building are turned over to gift shops and the cafeteria. The museum provides no information on the forced death marches, authorized by Congress, such as the Trail of Tears, the repeated treaty violations by the United States, reservations, infamous massacres such as Wounded Knee, or leaders such as Tatanka Iyotanka (Sitting Bull), Hin-mah-too-yah-lat-kekht (Chief Joseph), Tashunka Witko (Crazy Horse), or Goyathlay (Geronimo). “If it does not talk about massive land theft—3 billion acres of stolen land in the continental United States; if it does not talk about broken treaties—over 400 treaties violated by the United States government and its European American citizenry; if it does not talk about genocide—16 million native peoples wiped out by the United States and its citizenry; if it does not talk about residential Christian boarding schools, about the suppression of our languages, our Indigenous spirituality and religious ceremonies, and on and on, it is literally a whitewashed history,” said Dr. Chris Mato Nunpa of the Dakota Nation, professor and head of the Indigenous Nations and Dakota Studies Program at Southwest Minnesota State University. “And then they get our colonized, Christianized Indian colleagues to tell the same story that has been told by the European Americans for generations.” The lobby of the museum is a soaring, glass-domed atrium filled with natural light. The walls are smooth and white, and a large circle of honey-colored wood, resembling a dance floor, is set into the dark stone of the ground. Three small boats, all built in recent years—a Peruvian reed boat, an Arctic kayak with a cedar frame and nylon covering, and a Hawaiian canoe—are displayed on the floor, dwarfed by the open space. The Chesapeake gift shop, with its glass cases of aquamarine stones and glittering silver, all artfully lit, faces the lobby. The shop displays silk scarves, pottery and handmade designer jewelry, such as a necklace of sterling silver and turquoise for $1,800, or a belt made entirely of tiny beads for $4,000. The Mitsitam Café is down the hall from the Chesapeake gift shop. The cafeteria, in natural wood and large floor-to-ceiling windows, groups its native-themed food by geographical region. The buffalo eye steak with two sides costs $14.50. The Roanoke gift shop occupies the entire second floor. Dream-catchers, medicine wheels, aromatic herb sachets, tote bags and books are for sale. The designer jewelry in this shop runs about $100 to $180. The exhibits begin on the third floor. There is a hall for temporary exhibits. When I visited, it was filled with spot-lit mannequins in native women’s dresses. The permanent exhibition on this floor focuses on contemporary native life and identity. There is a hulking Bombardier ice-fishing vehicle, an Alaskan-style mask made of dental mirrors and tea strainers, and a re-creation of a contemporary native living room, featuring traditional Indian blankets on the couch. There is a pair of red Converse sneakers, entirely beaded, with Indian figures on the high-top ankles. The tongues are blue with white stars. It is on the fourth floor that the expunging of history begins. A video installation, “The Storm: Guns, Bibles and Governments,” is featured prominently in the center of the fourth-floor gallery on native history. Tall, curving fiberglass panels enclose the viewing space, backlit in shifting shades of blue and gray. Television screens are set into the panels. Rapidly scudding clouds appear on the screens, tidal waves, palm trees lashed by typhoons, the debris of cars and houses in floods. Howling wind, shrill flutes and ominous music are heard as a voice intones: The hurricane. A turbulence. A steady pressure. Unpredictable. Uncertain. It brings death and life. It creates and destroys. The video tells us, in oblique, lyrical terms, why guns, Christianity and foreign governments are both bad and good things. Of Christianity, the narrator says: We all know Jesus. He has been with us for a very long time. Christianity, a weapon of forced conversion, slavery and oppression. A weapon of liberation and social justice, salvation and eternal life. Today, many of us are Christians and many are not.
The video closes:
The storm is powerful and unceasing. It creates and destroys. It offers life and death, hope and despair. It is never simply one thing. The storm is an opportunity. The storm teaches. We have learned much. “The Storm” turns the American Indian genocide into a faceless, mindless natural disaster with a silver lining.
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By Kilantra Ouspenskaya, November 30, 2007 at 10:52 pm # Would we show the life of Christ without the scourging, and suffering on the cross? Of course not. Why omit the
By Christie, October 30, 2007 at 7:46 am # Thank you, shenonymous. That’s very in keeping with what I was trying to explain.
By Kim, October 29, 2007 at 6:45 pm # I don’t understand how leaving out what American Indians suffered and indeed are still suffering could be anything but wrong. I don’t understand how the museum’s including the crimes that we all know happened would be gloryfing death or victimization if it is placed in context of all the other positive aspects of the culture. It’s just telling the truth, giving context, giving as many facets of the story as are relevant. Being reminded that we live on stolen blood soaked land is gutwrenching. Perhaps it can cause us to seriously rethink our relationship to the land and those whose ancestors were here when everyone else arrived (whether that was by will, force or circumstances beyond their control). However gutwrenching facing that reality might be, it is nothing compared to the suffering of those killed for the land. No one would create a monument to Jewish culture in Germany without mentioning the Holocaust. Certainly no African American museum goes without mentioning our enslavement. The fact that Native Americans curated the museum is no excuse. Or, to put it another way, it is just as ridiculous as saying that the white racism that helped justify the genocide for land can be excused because many Indians killed Indians as well. What does it say about anyone’s view of history, justice or reality that such massive crimes can be ignored because it upsets white people?
By mike kohr, October 18, 2007 at 2:35 pm # Most of the perspectives in this thread are correct and have valid points. That American Indians have suffered great loss is inaurguable, inexcusable and those that attempt to ratioinalize it should be ashamed. That the museum staff has chosen their focus as such is also entirely valid. At International Brotherhood Days in 1994, Eli Tail, a spiritual leader, addressed us with the words, “What has happened has happened and can not be changed. We must find a way to move forward together.” Part of that healing Eli refered to was remembering the past, an acknowlgement of the present, and a hope for our future. This article, “The Great Forgetting,” remembers, the museum acknowlges. Both are needed to tell a story that is both beautiful and tragic. In the Spirit of Brotherhood
By Charles Barton, October 17, 2007 at 1:33 pm # Among Southeastern “First Nations” the Cherokees appear to have killed far more of their fellow Native Americans than the European Americans. The Cherokee, were sort of an 18th century “Borg,” Killing tribal members until resistance ceased and then assimulating the survivors. The Yuchi, a large Southeastern Tribe was destroyed by the Cherokees during the 17th and 18th centuries. The Cherokees also fought their near neighbors the Creeks, as well as sending war parties as far north as the Great Lakes to fight the Iroquois. The also fought wars against the Shawnee. In addition the Cherokees allied themselves with colonial Governments against various other tribes, including wars against the Tuscarora, and in the Yamasee War. Virtualy every native Tribe in the Southeast fought in the Yamasee War, Along with South Carolina. Both South Carolina and the Yamasee suffered heavy casualties. The Cherokees fought as allies of the French against the British and American Colonies in 1760-62, and as Allies of the British against the Americans during the Revolutionary War. Finally they were allies of the United States during the Creek war of 1813. Cherokees were present Wuth General Andrew Jackson on 1814 at the Battle of New Orleans, The Last War in which the Cherokee fought as allies, was the American ZCivil War. Cherokee regiments foungt on both sides. The Cherokees were deemed honorable people by European-Americans. They intermarried heavily with European Americans during the 18th and 19th centuries. Many “whites” married into the tribe, while some Cherokee women married out into surround Anglo mountain communities. It is assested that most of the self described “white” population of Rhea County, Tennessee, and actually decendants of such marital unions. Andrew Jackson’s friend Sam Houston married an Cherokee woman after leaving Tennessee,. This marital union was not considered dishonerable, and many Tennesseant today, including the singer Dolly Parton clain to have Cherokee ancestors. The Cherokees were victims of ethnic cleansing during the “Trail of tears” period, but they were never victims of genoside. during the 18th Century the Cherokees appeared tp have killed more native Americans, than their European allies did. The Cherokees also appeared to have suffered more casualitits at notive hands than they did at European hands. Far from killing off the the Cherokees, European-Americans settlers both married into the Tribe, and brought Cherokee wives into their communities.
By mark, October 16, 2007 at 9:23 am # Some genocides are more cides than others. Bush has recently talked down the Turkey genocide of Armenians to ‘murders in the fog of war’. I’m sure he wouldn’t want any U. S. mass murders termed genocide, especially his.
By cbx, October 9, 2007 at 7:26 am # I’ll say again that All religions are essentially corrupt, especially the big three because they have the market-share and have come up with the most amazing bs to keep the great mentally unwashed in their folds. Christianity has its God-driven history of bloodbaths; Islam has that plus its current bloody effort to subjugate the world. Jews are currently trying to maintain their survival. The original inhabitants of this country were subjected to the capitalist rapaciousness that continues to this day. My original point is NOT that religions are compassionate. They are not. They create a “them” and “us” mentality that keeps us separate and have created the vicious Islam assault that is gaining strength in Europe and soon to be seen more visibly here. Native religions here at least have had respect for this planet and the life forms on it. Whites haven’t, although now that we are on a no-win tract with globe warming, some are beginning to see that life, as we have known it, is about to get pretty dicey in the near term.
By mike kohr, October 8, 2007 at 4:51 pm # Excellant article, “The Great Forgetting.” It reminds me of the quote, “What seems to matter most is the great silence, the denial of any holocaust.” You may wish to visit a page on our website called “Your Heroes Are Not Our Heroes,” http://www.brotherhooddays.com/HEROES.html Often quoting the words of our nation’s greatest heroes, this page records the Native/Euro discourse and conflict from Columbus, to the bloody preacher John Milton Chivington, to George W. Bush. Respectfully, mike kohr
By Amy L. Beam, Ed.D., October 8, 2007 at 1:51 pm # Your essay is masterful and moving. I had the same experience of awe and disgust the first and only time I visited the Native American museum. I will not honor it with another visit. Of course, it’s okay for the Smithsonian to build the Holocaust museum so Americans can point to the atrocities of the Germans, but they dare not show the holocaust against Native Americans. If we did, we as a nation would have to admit to the atrocities of our forefathers, right up to the current Bush administration.
By RML, October 8, 2007 at 11:55 am # The genocide of the American Indians should be PROMINENTLY featured in the Holocaust Museum. The hundreds of thousands of visitors to that site should leave with a deep understanding of our American holocaust which nearly anihilated all the tribes of this continent. Such a permanent exhibit would educate American visitors to their own national guilt. The Museum of the American Indian could then rightfully focus on the culture and art of these decimated peoples, and the renaissance of those who have survived. Add Your Comment |
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