Eunice Wong is a classically trained actor who works in professional theatres across the United States and in New York City, as well as having appeared on HBO, NBC, ABC, Comedy Central, and in various films. Eunice is a graduate of the Juilliard School Drama Division. She studied piano and...
“Life and Fate” by Vasily Grossman is one of the greatest works of 20th century literature. A new theatrical adaptation is innovative, but ultimately loses the epic’s profound meditations on good and evil.
The Royal Shakespeare Company’s production of Anton Chekhov’s “The Seagull” seems, at first, to be merely a skillful and familiar rendition of a masterpiece. But like many great works of art, the power of this production is cumulative.
In her first Truthdig theater review, actor and writer Eunice Wong takes in director David Hare’s stage production of “The Year of Magical Thinking,” Joan Didion’s haunting memoir about the sudden death of her husband (she would also later lose her daughter) and the heartbreaking mind tricks she used to try to conjure him back.